On The Development Of The Creativity Of Postgraduates

Women " as the theme of the movie is nearly ten years of film creators prefer movietheme. The development of feminism films until after 2004, " women in film "diversifieddevelopment. The new period(after 1979) to the early " female " as the theme of the film", whether female creators or, or the female image in the film, is to "gender" "political " tendency obvious, but on the " female " film text development until after 2004, there have been mature the narrative mode and the common lens language. In thisperiod, the male or female creators for the creators of "female consciousness" hasdifferent expression. Male director under the lens of "female" escape by viewing position, is the male perspective "erotic spectacle". Although the male directorintended for this case to avoid, but there are certain limitations, in their lensinterpretation of women always they set to look. The male perspective is like a mirror, a woman standing in this mirror, always with the different visual angles or alienation, or lack of, or conceal. It seems that, pure female film text creation destined need women themselves to complete. Female director originally thinking of "female" naturealways confrontation and under the male discourse, most of the emphasis onfeminists think, the suppression of women from men of the clamp, so in the film version of their performance, many "women away" or "knockout male" wait for a problem, but in such extreme interpretation, most women find the charge is not realistic. In a relationship, men can not. In the return to rational, female directors are also thinking about women’s nature demands whether through simple to resist orescape from sex to gain its independence? Or, in the male indispensable field,women have subjectivity? Finally, to obtain the female subjectivity is by what way?Make peace between both sides? Or construct absolute independence? So, by comparing the male director and female director under the lens on "female consciousness" is necessary.With the advent of a market economy, the angle of "women’s film" the film also facesto stick to the spiritual home or divergent from economic benefits? Therefore, "women in film" of "female consciousness" also need to make compromises andreconstruction for commercial operation in the contemporary value system. The2004, keen on "women in film" Directors there is also part of works made sucharesponse, in the genre blend of business elements, to ensure the integrity of their aspirations and meet the market’s objectivity with specific reflect in the movie creation.