| Water-Ink Animation, experiencing a few times which are unusual in the development of the chinses animation art, and shocking the artists and creators whom keen to creating animated films in the world of glory times. Nowadays, constantly to a new look based on nation art community. From Animated Short to Animated feature film, not only did it inherit the form of traditional Ink-Painting Art, but creat a new expression constantly, and try to find the film language of Wash Cartoon Film. With the advent of the digital age, Ink-painting Animation gradually get rid of the “Animated Film†positioning, then advancing the audio-visual arts of animation itself, as a kind of animation form, combined with a film arts, and obtaining a certain artistic achievement.This paper mainly from both painterly and cinematic perspective of the artistic features of ink animation were analyzed. The first half of this paper, the ink animation drawing of aesthetic(ink painting artistic characteristics and style embodied the aesthetic philosophy) made a detailed discussion of its aesthetic characteristics, which is reflected in the animation works; later with western art animation(cartoon animation)both in the form of painting style made a detailed comparison- ink painting and comic,from the angle of the film were analyzed both on the modelling and motion peoperties of narrative potential, thereby drawing made an exposition of the relationship between painting and film- animation is a kind of balance between painting and film.Second half for the transformation and development of the digital era, Chinese Ink painting Animation done in detail. First, from three different periods(growth, maturity,transition) analyzes the evolution of animation production methods; secondly in digital ink animation on the basis of the production methods by showing the new features in detail discussed; and finally in the new medium of ink animation, made an exposition to the application of new thinking and outlook: highlighted and summarized under the ecological Aesthetics sight, and development prospects of the development of specialized ink animation should be faced.This paper put forward the process of development and cinematic angles ink animation issues : for example, from the artistic features of the movement characteristics of the film and and art characteristic and ink painting analysis of two hypotheses put forward the research hypothesis: "ink animation is the highest achievements of Chinese film"; and comparing with Western art of animation, made ofChinese ink animation cinematic and modern propositions, how to adapt to the strong narrative works, or in other forms of animation, embedded as a background and so on... |