Research On The Authenticity Of Documentary Based On Hermeneutics Theory

Authenticity is the essential attribute of documentary, it is the basic problem in the research and creation. Documentary creation mode, technique, narrative concept, classification and value are based on the concept of authenticity, and it is involved in the whole process of documentary creation. "Vision" theory, "circulation of comprehension" theory and "effect of history" theory in hermeneutics have provided academic theory foundation and method of comprehension for the research of documentary authenticity.First, analyze the Andre Bazin’s "photographic image ontology" and Siegfried Kracauer’s "the reduction of the material world" theory based on "history horizon" and "individual horizon", and discuss the tendency of creative comprehension based on John Grierson’s "Creatively deal with reality". Next, focus on the ontology of documentary, the creation, the dissemination and the acceptance level, making a comprehensive analysis of the authenticity of documentary in the process of creation based on the "horizon fusion" theory.Second, research on the authenticity of documentary in documentary history of the world, and discuss different view about authenticity based on "pre-comprehension". With reference to different creative mode and features of foreign classic documentary, combing different comprehension about the authenticity of documentary, and discussing the domestic "prejudice". This chapter makes a comparative analysis for the same period of documentary creation of both the domestic and the abroad, points out the "dislocation" and "lag" of domestic theoretical comprehension.Third, take "effect of history" theory as the breakthrough point, explore the openness, narrative and sentience with the development of documentary creation, and point out that it is a blending process. And emphasize the trend of comprehension:don’t ignore the "original intention" of the authenticity, both the "degree" of subjective creation and the "humanities".So, the paper on the basis of the history of documentary in the longitudinal direction, analyzes the creation mode and type on the lateral, and coupled with creation value and ethics, intended to have a three-dimensional comprehension for the authenticity of documentary.