Thinking Of "TEA MAN" From Dziga Vertor Movie Eyes Send

Early twenties, Vertov, director of the Soviet record in research and creative work pay time theory proposed "eye film, " the statement, from literally can identify the difference between it and "montage". The faction of the present and contemporary philosophy has had a profound impact, and this effect is also slowly infiltrated in literature, drama, film, painting, music and other fields. The design of 《TEA MAN》 is graduation to the faction as the theoretical basis of my creation. The documentary completely in this present life, ready-made scenery, the true character, adhering to Vertov to camera compared to "the eyes", "a surprise capture life", no artificial paraded, basic to the handheld camera audio-visual art rules into film. In the filming process, in accordance with the lyric of Vertov "eyes of the film" theory produced documentary and found out that the mode can be evolved into a visual music, namely the faction is often a symphony of the voiceover (Commentary), or a noise and sound montage, this picture and language and can be separated from the practice, and until today, this kind of practice in the record that is still popular creation rules. Through the creation of rules, through the theme of the internal analysis, interpretation of one by one reflected in the film, the characters filling, the seemingly tea actually speak the central idea of people. This paper includes four chapters:the first chapter overall expatiates the significance of the study, the domestic and foreign research status and the research focus and main work; the second chapter briefly introduces Vertov’s eyes and a movie ", " I watch "and" I think "the creation idea, advocated the movie the camera is captured by surprise" and "eyes", against the narrative film, opposes the rejection, interpretation of actors, makeup, scenery, lighting and studio art processing and so on; the third chapter analyzes the main features of the documentary, including the relationship between meaning and documentary film, with real direct cinema the fourth chapter; the shooting of the film, the film reflects the eyes in the movie characters, including the choice of thinking about the identity of the characters and the characters Interpretation of behavior, from the surface of the tea culture, to the depth of the depth of culture.