The Chinese Painting Sentiment Of Brush And Ink In Chinese Contemporary Oil Paintings

Since oil painting was introduced into China, western painting and traditional paintings have been compared and fusion. About contemporary oil painting and traditional Chinese painting, both at home and abroad is also very enthusiastic. Is not only the Chinese artists, Matisse in some of the master of arts in the west, such as use a lot of Chinese elements. Like this and other older generation of Chinese art, Zao Wou-Ki, the fusion of Chinese and western painting have deep insights, and able to comprehensive and meticulous in their creation.This paper is the most important of comb my creative practice process, the first is my creative readme, including mentality, in the process of the source of creation and evolution as well as the effect of want to convey in the picture. Through the analysis of traditional Chinese painting works, an in-depth understanding of Chinese painting skills, unique style and the form of ink on Zhu Da painting "solitary birds figure", "lotus duck figure", Wu Daozi’s painting "the God Deliver Son "and" double happiness figure " Cui Bai is analyzed, and the modern and contemporary painters Hong Ling, Mao Daizong, Ji Dachun et al, the artist’s work, analyze their in the oil painting creation which aspects of reference, combine the Chinese traditional painting, deepen the understanding of a few artists painting art characteristics, combined with personal oil painting creation practice attempt to explore.Chinese elements into Chinese contemporary oil painting, the choice of the subject is himself after these years of professional study of peace when the oil painting creation practice, I try to find the form of Chinese painting techniques and modern oil painting style and the ink on the techniques of integration points, find both have their own characteristics, and in accordance with their own ethnic identity of oil painting language. By learning to study, find a set of suitable subject for creation.