| Chinese Song Ci were a special form of music literature which was popular in China Song Dynasty. Because it was like the lyrics matched up with the tunes, the creation of Song Ci was based on its differently named tune. The tune named differently had different rhythm and there were more than a thousand tune names, of which three-syllable words named tune had its own distinctive characteristics. In this paper, the writer takes three-syllable words named tune as the research object. Based on the different rhythm of different tune, the writer studies the visual design emphatically which is based on the Song Ci of which tune was named by three-syllable words, such as Pu Sa Man, Ru Meng Ling and Yu Ge Zi,on which much famous Song Ci based.Tone is corresponding geometric figure in usual ways. Nowadays with the refining of the elementary characteristics and the redesign of the figure, designers analyze the inflection of the rhythm in each sentence, and try to use the segmented design methods to visualize the abstract rhythm. The transform process of the rhythm is not just the figure copying or the rhythm’s replacement by the relevant figure. Instead, it is the process that the designers try to take use of the shape, size, and the permutation and combination of the figure to describe what they feel about the rhythm.The writer of this paper studies the visualization of Chinese Song Ci whose tune was named by three-syllable words. And the writer tries to make the readers feel the changes of the rhythm in their vision. And in that way the writer tries to provide an effective research method for the following research in this field and tries to make a contribution to promoting the modern expression of the Chinese traditional culture. |