The Analysis Of The Relation Of The Ci Of Liu And Zhou

In the academic field, the analysis of the relation between the Ci of Liu and Zhou tends to focus more on the elegant style, theme and manifestation mode of their Ci.However, in the process of expression, much more attention is given to the superficial understanding that Qingzhen follows the Ci of Liu, which neglects the cause of formation and the discussion of its specific forms. Although there are few research articles focusing on the similarities and differences as well as the inner origin of the Ci of Liu and Zhou, it is not easy to reflect the whole situation of the Ci of Liu and Zhou. Only few scholars have novelty viewpoints. This articles intends to, with a comprehensive insight, analyse the main content of the Ci of Liu and Zhou, to analyse the similarities and differences carefully,and to investigate the objective and subjective factors which cause the current relations between the Ci of Liu and Zhou, which may be conducive to the true understanding of the relations between the two.Overall, the Ci of the two masters is different in spite of the similarities and they reflects the origin relations:Chapter one mainly focuses on the similarities and differences of linguistic performances of the Ci of Liu and Zhou. It includes, linguistic content, linguistic forms and linguistic features, within which the first two emphasise the discussion of similarities. With regards to the linguistic features, both the similarities and differences are discussed. This chapter is the most intuitive part of the Ci of Liu and Zhou.Chapter two analyses the similarities and differences of the emotional content of their Ci, which is mainly presented in the love between males and females and the unstable situation of the masters’ living situation. In the process of analysis, expressive subjects and expression objects involve female view and the scholars’ main ideology, which shows the essential content of the relation between the two masters of Ci.The analysis of the similarities and differences of the artistic techniques of expression is presented in Chapter three. It includes patterns of manifestation, the way of time-space construction and the way of expressing emotion, which reflects the most crucial part of the relation between the two masters of Ci.Chapter four analyses the similarities and differences of the extent to which their Ci are accepted. This part tends to directly express the viewpoints of scholars in the ancient time who express the attitudes towards the Ci of Liu and Zhou and to analyse the relation of Liu and Zhou from the point of later generations, which may provide the historical evidences for the conclusions summarised by the three chapters above. Therefore, the relation between the Ci of Liu and Zhou will be understood in a more comprehensive perspective.On the basis of the above content, the author of this dissertation intends to analyse the practical reasons and personal spiritual factors that cause the relations of Liu and Zhou and intends to explore the inevitability of the existence of this relation.