Study On The Relationship Between Man And Nature Of Wen Zhengming’s Landscap Painting

Landscape painting of the Ming Dynasty can be divided into three stages: early Ming painting academy and Zhepai, the middle of the Ming Dynasty the Wumen painting faction and late Ming Dong Qichang Songjiang school.Wen Zhengming as a typical representative of the mid Ming Wu style better explains the relationship between man and nature.This paper is divided into four parts of his landscape painting in the relationship between man and nature:Part one: the relationship between man and nature in the landscape painting of the former, middle and later period of the Ming Dynasty.The second part: through the analysis of Wen Zhengming in during the period of the main activities, from the origin, the landscape painting style of the evolution of the Wen Zhengming’s life and art career.The third part: Based on Ming Dynasty’s popular "to visit Ji Sheng Tour", "Miss farewell", "Hakka tea", building garden retreat "subject matter of these four kinds of social activities as the main line, the typical landscape paintings respectively specific image analysis is described.Through the landscape paintings characters or sparsely and the surrounding natural environment elements and composition of contained in the paintings of relationship between man and nature is deserted exist between has characters of shape.According to screen human traces such as cottage, road and bridge, carts, boats, thatched cottage and accounts for the ratio of the size of Wen Zhengming of landscape painting in the relationship between man and nature, showing a travel and living, namely natural influence and effect nature of two.The fourth part: " s landscape painting nature research and understanding of the impact of landscape painting of today.Through the theme classification for landscapepainting creation provides a new angle of view, to Wen Zhengming landscape painting as a medium to understand the Ming Dynasty landscape painting of the relationship between man and nature.Wen Zhengming’s landscape painting reflects the "can travel to live", which helps the artist to combine the traditional and real life, to achieve the aesthetic ideal of "can travel to live".