The Double Variation Of Guo Moruo’s Historical Drama Of Modernity And Nationality

There is no doubt that Guo Moruo is a great man.He that lasted more than 80 years of social and political life is abundant.He is the soul of the "creation society",the general of the Northern Expedition war,one of cultural leaders during the war of resistance against Japan,Mr Lu Xun’s successor,State leaders after the founding of the PRC.He has great influence on Chinese contemporary literature in poetry,historical drama and other aspects.At the same time,he is a huge contradiction,radical,rebellious and conservative,obedience is unity in one.His remarks on the idea transformation,the evaluation of certain historical figures,to fawn on the supreme leader and so on caused great controversy.So it can be said that the study of Guo Moruo is an appropriate culture of the interpretation of literature and the times,literature and politics,literature and the people how to interact.The full text is divided into three chapters,and there is an introduction and conclusion.In the introduction part,the paper first expounds the rationality and significance of the study of the activities of Guo Moruo’s history plays from two angles of modernity and nationality.And then combed the academic circles about the research status of Guo Moruo’s historical drama.At the end of the paper,the author briefly introduces the key point of the theory of modernity and nationality.The first chapter introduces the development and evolution of Guo Moruo’s thought of literature and art.The first section discusses and compares the romanticism and Expressionism in Guo Moruo’s early literary system in place.The "Pan-expression" thought of the two kinds of ideas can be said to be the core of his early literary and artistic ideas.Intensity of Expressionism "passionate critique" and "iconoclastic" thought is Guo Moruo the middle of the 20 th century literary thought change of a key factor.From the identity of the toiling masses,literary theory development and nature in Marxism Leninism ideology influence factors,The second section investigate Guo’s literary thought steering.His late literary thought can be divided into four stages.In these stages,Guo Moruo has putforward "literature = revolution","people’s standard","political first,literature and art second" and other important literary point of view.These ideas have greatly influenced the development trend of modern and contemporary Chinese literature.The second chapter focuses on the content of the view,the evolution of the theme of Guo Moruo’s historical drama and the change of the spirit of the times is a reflection of each other.This reveals himself to political and literary views the transformation: from the pursuit of modern wandering to emphasize the traditional.The second part discusses Guo Moruo how to use the "ancient bones" shouted the strongest voice in different times.In a certain sense,"Hong Xiao","Qu Yuan","Cai Wenji corresponds to the different times of Guo Moruo.The evolution of these characters and functions show Chinese traditional intellectuals a silhouette in the era of big.In the third chapter,from the point of view of art form,the two factors of modernity and nationality in Guo Moruo’s history plays are analyzed.The first section discusses the language of Guo Moruo’s historical play.From the two levels of principle and aesthetic,Guo Moruo put forward the requirements of the language of history,that the "ancient and modern" is the most ideal.The language of his historical drama is the poetic beauty of poetry,there was also a popular language of fresh activity and strong ethnic style is overflowing with paper.the second section examines the deep roots of the creation of Guo Moruo’s historical drama and national opera.His historical drama,has been affected by the traditional culture influence,on the other hand,conscious reference forms of opera art,which showed a distinctive national style and national style.However,to a certain extent,some of the "legacy" in the art of traditional Chinese opera has melted the modern spirit of the modern drama.The last part summarizes the modernity of Guo Moruo’s history plays with and ethnic factors,pointed out that his life is essentially very consciously from one extreme to another.He in the modernity and nationality to build the space of tension did not find the balance,but willingly for the era of beach goers.