Zhou Leqing "Fill Stone Legend" Research

Zhou Leqing was in the middle of Qing Dynasty,a lower officials and opera artist who created lots of works all his life.Poetry,lyrics,essay and drama are involved,so the main works are included in the “the first draft of jingyuan cottage”.There are several versions of “Fill stone legend” published up that established his position in the opera history of Qing dynasty.“Fill stone legend” was widely performed in the land of the qi,and chu state,welcomed by the common people and even purchased by Korean ambassadors.Since modern times,Wang Guowei “Song record”,Wu Mei “Introduction to Chinese opera”,Zhuang Yifu “Classical opera Textual Research”,Fu Xihua “In Qing Dynasty whole project”,Li Xiusheng “Ancient Opera repertoire Synopsis” and others had a record.Therefore,The author deeply read “Fill stone legend” by combing Zhou Leqing manuscript and prose literature data,and strive to excavate the original intention of Zhou Leqing's creation “Fill stone legend” from the depths of the mind,in order to get the new orientation of its status in the history of Qing Dynasty.This paper discusses something on the basis of collecting a great deal of detailed historical data.The introduction part gives a brief introduction about the reason of choosing this topic,the researchmethods and ideas of the related research results.The first chapter,the writer's life and the whole creation.To investigate his life can help us to understand the background of the author's life,and also can help us to understand his original intention from the deep level.The second chapter,The study Zhou Leqing 's drama activities and association with friends.By examining the friendship and drama activities,we can grasp his thought and character from the author of the humanistic environment,as the basis of further study on its works.The third chapter,“Fill stone legend” related issues and creative theme.This chapter first discusses the description,version,script system,inscription about “Fill stone legend”,and then inspects the background of the times and geographical background of Zhou Leqing's creation “Fill stone legend”.Finally,the author details the Zhou Leqing 's creative gist and thinks that it is related to his personal opportunity,emotion and life experience.The fourth chapter,“Fill stone legend” reverse strategy.Focus on the analysis of eight feast Jintai drama reverse strategy and the history of drama about Zhou Leqing's creation method.The fifth chapter,“Fill stone legend”text research.Zhou Leqing although created opera tunes according to the spectral lyrics Legend mode,But it also shows the characteristics of a particular period.it presented new characteristics in profession system;It had excessive use in tunes,song rhyme,a large number of Nanqu tunes;Gongdiao converted frequently,and had North-South co-sets phenomenon;every poem using too much Tang poetry,which was followed the script structure model since the mid Ming Dynasty and he was a great success as a author.The sixth chapter,the infiltration of the writer's individual consciousness and opera.In ancient,Chinese literary theory was particular about understanding by heart,through in-depth reading of the text found that the writer had a strong individual consciousness,which was permeated by reading between the lines.for example,official and hidden in the choice,the public nature of the historical characteristics,magical destiny and obedient concept,which was exactly in line with the classical proposition “the writing mirrors the writer”.The seventh chapter,the performance and artistic features of“Fill stone legend”.According to the poetry of Zhou Leqing,“Fill stone legend” widely performed at that time and was welcomed by the masses.In the end,the author makes a deep analysis about the individual lyric principle and the scene of the cold and hot swap from the point of view of the art characteristics.