The Study Of “Variations And Integration” In Story-telling Dance

One of the important elements in the pursuit of progress in dance creation is innovation and difference-seeking.As we look back to the development of contemporary dance creation,we can see outstanding dance works that emerge endlessly.In comparison with the dynamic “frames” of dance,however,the static theoretical development hasn’t formed any direct proportion with the dynamic one.The philosophy of creation---diversification and unification in the techniques of dance creation is applied in this paper,and the train of thought of Marxist philosophy is adopted to study the diversification of dance creation under the unified state.Furthermore,the theory of generality and universality is specifically manifested in dance works.Likewise,the macroscopic and specific analysis of dance works can also reach the theoretical value.The perspective of diversification in unification is adopted to elaborate the relationships underlying in the theories.Based on the analysis of the relationships,a theoretical analysis is conducted on the unification and diversification of dance moves themselves,and the diversification of dance scheduling,and the mode of hierarchical progress from dot to line and surface of dance structure in unification.Moreover,the mode of expression and rational argument of diversification in a unified form are revealed.Under the influence of the current global culture,diversified factors of dance creation progress with the innovation of dance works,and these creators’ works gradually evolve from the objectivity of creation to the subjectivity,which also means dance creators’ subjective expression of their ideas.As to the study of the diversification of dance creation generated in unification,the diversity is concluded.Specifically speaking,the analysis aims at demonstrating the rise of dance from perceptual knowledge to conceptual one.The effect and function generated by subtle diversifications in creation,such as dance move,schedule and structure,are analyzed,so as to elaborate the creators’ understanding of the objective work and take dance art as the carrier to demonstrate it.The audiences are the appreciators of these works.Creator---dancer---appreciator,creation---imagination,this process is explored and expounded from the aesthetical perspective,through which,the “aesthetic” effect of the diversification of contemporary dance works in the unification is explored.With the rapid progress of the times,the innovative spirit of seeking for novelty and difference has been pursued by all the art creators.“Diversification” should also emphasize on the quality,rather than the quantity.However,extremists believe the more diversifications,the better,or vice versa,which consequently,breaks away from the original intention of dance creation.The “original intention” of dance creation is to seek the starting point of dance,and the creation techniques and philosophy of diversification and unification are the power enhancing the emotion and intention of dance,and the form of making it “more meaningful”.This paper is focused on diversification in unification,which is the principle of subjective autonomy,which is under the influence of the thinking and emotion of creation,and the principle of heteronomy,which is under the influence of other subjective conditions,such as the society,economy and culture,etc.Diversification and unification are originally one of the techniques of dance creation.Its intrinsic and recessive relationships,the effect and the principle of creation are studied,and the perceptual thinking is processed and created.By virtue of dance works,the sensory demonstration is upgraded to rational “reality”,which verifies the practical recognition and conceptual meaning of dance creation.