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Xu Jinglei Film Narrative Transformation

Posted on:2017-10-26Degree:MasterType:Thesis
Country:ChinaCandidate:Y XuFull Text:PDF
GTID:2335330485977037Subject:Theater, film and television
Abstract/Summary:PDF Full Text Request
Xu Jinglei small study calligraphy, art, drama choreography bent exams and Academy of Fine Arts Department of the Beijing Film Academy, but she finally admitted. Since then, formally entered show business and rapid development. From actor to TV actor, movie actor and then, finally he picked up the rod directed.Accompanied by changes in the Chinese film market, however, Xu also made changes to their own creative style.The first chapter mainly elaborated Xu Jinglei for art career, a brief introduction Xu Jinglei students from the Beijing Film career to film and television actor practice and creative experience, by the actors to change the role of director and directed a major turning point on the road; the second chapter, objects from the narrative,narrative rhythm, narrative style three aspects detailed analysis of the characteristics and differences between the former Xu Jinglei film works late; third chapter discusses the objective from the director Xu Jinglei feelings full of literary art films to the pursuit of box office revenues reason commercial film style transformation after transformation and gain and loss.Xu Jinglei film-making style transformation, bringing the film market is the high box office receipts, but lost her piece of art is indeed the true pursuit of this battle of ideas generated, I believe that this film has been able to grow survive mainly from consumer groups, that is able to meet most people's needs, rather than what the so-called non-secularization. Whether it is "art theory" or "industrial" theory, once out of the audience if this fundamental cornerstone of the film's creation will lose its value and practical meaning of existence, which is the ultimate author emphasized "the audience of" lies.
Keywords/Search Tags:Xu Jinglei, Movie Transition, Narrative, Art films, Commercial film, On the audience
PDF Full Text Request
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