The Playing Analysis For Piano Accompaniment Of <Piano Trio In D Minor> By Mendelssohn

Mendelssohn was one of the most representative figures in the period of Germany Romanticism and known by his Lieder ohne Worte series and concerto.His works was famous for the songful tune and precise orchestration.<piano trio in d minor>is one of the few chamber music by Mendelssohn and in this work we can not only see clearly the characteristics of his piano music creation,but also explore the using of his orchestration.In this thesis, analysis to <piano trio in d minor> which maily studies its features and playing techniques of piano accompaniment in the method of musicological analysis appears.This exert in some extent positive effects to our learning of Mendelssohn's creation and the piano playing in chamber music.This thesis is divided into three chapters and analyze the piano playing in the ways of original music creation and organization.In the first chapter,first summerization of life and then narration of the work background of Mendelssohn from a historical and cultural angle is given.In the second chapter,analysis of musical noumenon and paino accompaniment to <piano trio in d minor> is listed,and in the base of original theory,study of movement is mainly grasped by the whole musical form,then the central motif,last the pianowork.The third chapter is the most important part which analyze the playing of piano accompaniment.Three parts above are different from different perspective but support and interwweave each other in content.and finally sum up to the work.In the basement of such historical dialectics,the players establish the right rational and affective thinking,and support the recreation in a real way.