Analysis "Heaven Road" Of Guo-Quan Chen Art Features And Second Performance

With the introduction of Western choral music of the 20 th century, the Western writing skills in the land of the East and national identity integration, the formation of choral music culture with Chinese characteristics. Choral works have been the subject of continuous innovation, along with the contents of people’s material life and spiritual ascension start guide popular music and popular works. As a chorus of vocal singing mass collective artistic development has been more widely, adapted choral works as the reaction of the masses, sung a high degree of liking a class of choral works, more and more people’s attention many non-professional music lovers according to their own aesthetic direction and try to put forward their own demands for choral works requirements, greatly improving the degree of intimacy between the composer and the masses, but also to promote further research and refinement composers creative process works.This paper selects Professor Chen right adaptation of choral works "Heaven Road" through the track angle, multi-level research and analysis to discover choral art features, and then parse out the chorus, "Tin Road" from the creation of the development stage practice, from the audience enjoy the social repercussions of the two main lines, the aspiration of the masses and composers found fit motivation of the Tibetan language and Chinese culture unity, expressing emotion and rhythm rhythm of continuity and performance form the binding characteristics of the times.According to the author to define their own command repeatedly singing "Heaven Road" experience and to control the chorus "Pilgrim," the interpretation of the second time, and empathy to stand up to consider the perspective to appreciate singing "Heaven Road" in the actual stage show effect, in order to better carry out the choral art innovation and improvement to adapt to the evolving social environment……...