| This thesis outlines the musical style and the artistic standpoints of Hebrides (Fingals Cave) Overture, which was written by the Felix Mendelssohn Bartholdy in 1830, German Romantic Period. It is based on the method of summarizing freehand brushwork beauty in art form, that is to say, the beauty of Freehand School, and observing the music morphology and features, whose aim is to seek the effectiveness of interaction among the freehand brushwork, musical genre and the musical noumenon, then interpreting the unique implication in the work by Mendelssohn in the musical culture context of the early Romanticism. |
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