Analyzing The Design Of Exhibition Derivative Products With Applying Semiotic Viewpoint

Arts and culture across national boundaries and regions took part in the consumptio n and public opinion in the upsurge of cultural goods has become works of art and m ass consumption goods communication between vehicles.Exhibitions as a way of co mmunication,received widespread attention,recognition,and related research.Fro m the level of problem structure,entered the art market as a cultural commodity cons umption universality and flexibility,as well as the carrier of the interaction between c ultural values and business values,continue to take case of exhibitions by various artis ts interpretation.With this rising trend,development and design of cultural goods ha s become synonymous with art parent,becomes a code walk to work and wider mean ing"Favorites" Contemporary digital photography as a work of art restoration,a serie s of generic job provides a lot of possibilities and convenience and at the same time f or the development and production of cultural goods to produce the same effect.Thro ugh the construction of meaning based onthe conditions and technology,science an d technology,cultural products becomes code of the original work,a better symbol o f communication with mass consumption.Based on the discussion and research,demonstration and exhibition of cultural consu mption in the case study in merchandise sales in the income level,not just the physic al but also cultural identity-oriented,audience for artists subject derivatives to purcha se,has grown into a recognized specific cultural attitudes.After this instance of theori es and operations research,creative design of selected cases,empowers art design,se mantics and the deconstruction of the works,extending the application to different m aterials and dimensions,the artist in the context of the construction of derived may pr ovide more extensive culture of mass consumption products.