The Present Narrative Research On The Chinese Domestic Spy Drama

Spy war theme drama,that is,spy drama.Since spy drama rose and has been active in the Chinese TV drama market,it has been the events and discourse phenomenon discussed by the industry figuresin the social life.October 15 th,2014,General Secretary Xi Jinping pointed out at the symposium on literature and art:"Some spy drama did not respect the history and caused adverse effects on audience."Therefore,the State Administration of Radio and Television repeatedly controlled the spy drama and began to strengthen the examination and approval of the film industry since 2014.Now the creation of Chinese spy drama has entered the "after spy war"periodin the rational development and has explored the new type of narrative model actively.As the repertoire of the founding of the new China's 65 th anniversary," All Quiet in Peking ",called "industry conscience drama” both in the production,script,aesthetic level as well as literary values and was praised by the audience.As " The Disguiser " and "Wang Da Huarevolutionary career" hit,the audience focused on spy war drama once again and re-examined the spy drama narrative techniques and production mode.The production mode and the dissemination of the effect of spy drama has aroused strong concern in the academic community.At present,there are new characteristics in the aspects of characters,narrative perspectives,narrative time and space,narrative symbols and value orientation,but inevitable problems and dilemmas also exist.Based on the classical narrative theory and the concrete text,this paper analyzes the narrative characteristics of the current spy drama from many aspects and angles,so as to be meaningful to optimize the innovation of the same kind of TV drama.This paper is divided into six parts,the first chapter is a diachronic analysis,introducing the development process of China's spy drama and the representative of the play invarious stages,so as to sort out the characteristics shown in the spy drama show in different stages,then analyze from the integration of culture and popular culture,the transformation of broadcast mode and mode of communication,the change of audience structure and audience psychology and the deepening of various types and the deepening of aesthetic level.The second chapter,the third chapter,the fourth chapter and the fifth chapter are the text analysis,analyzed from the characters,narrative perspective,narrative structure and narrative symbols,this part is the focus of this article.The sixth chapter explores the problems and countermeasures in thenarrative of the spy drama.At present,there are dilemmasin spy drama,such as the tendency of entertainment,the lack of respect for history and the lack of thought,the dramatic and rhythm of the story,and the lack of humanistic value.If long-term development was required,spy drama is supposed to be implanted in the creation of "anti-spy war" elements,promoted the historical and cultural feelings of works and enhanced the sense of quality in order to obtain long-term vitality.