A Study On Chinese Sixth Generation Directors’ Realistic Works And Public Acceptance

The sixth generation director since the stage of history,the camera on a realistic subject,they created a large number of works of realism to compassionate feelings.Unfortunately,because of its early realistic works or by focusing too much on the record detest the world and its ways of discourse of reality,or personality attitude to indulge in narcissistic strong color of self expression,fragmented narrative and personal letters youth makes it difficult for public acceptance.At the same time,due to the influence of transition Chinese film system,the market mechanism and the audience and other objective factors,the acceptance period of time within the mass of the sixth generation director of realistic works quite is always in a marginalized.After entering twenty-first Century,in order to cater to the audience,to follow the market,the sixth generation has been seeking transformation,even in the writing style have made concession and compromise,but both popular and critically acclaimed works is still rare.For this phenomenon,this article from the sixth generation director of the film style,popular aesthetic tendency,national film system,market mechanism and other aspects of the sixth generation director of realism works in a serious lack of public acceptance encountered in-depth analysis.The first chapter focuses on the complex social background of the sixth generation of directors.The transition from the planned economy to the market economy led the sixth generation directors to have a completely different situation with the directors of the fifth generation.They were separated from the system and created the independent production mode in the capital dilemma.The second chapter describes the contact and running of the realistic works of the sixth generation of directors.The sixth generation directors are focusing on the bottom of society,looking for inspiration from the people and things around,mostly indulge in recording the reality and self narrative,the theme of the film reflects the marginalization of characteristics,the sixth generation has already formed the image style become an independent school.The third chapter mainly discusses the image style and change of the realistic works of the sixth generation directors.The sixth generation directors tried to express his real complaint in a fragmented,trivial,tableau,unfortunately this does not fit with the mass of the film received psychological and aesthetic ability,resulting in the realistic works near No one shows any interest in.In order to get the public recognition,the sixth generation began to transition,but the cracks in his own artistic ideal and return to the market,their films to the realism creation began equally difficult to go on or retreat.In the fourth chapter,the author analyzes the realistic works of the sixth generation from the perspective of the internal mechanism of the film communication.As people’s living standards improve,the mass culture represented by films into the heavy light entertainment,the connotation of the stage,sixth generation of realistic works of popular alienation due to its obscure theme,gray style,narrative constraints and reduced to fragments,the social system and the mechanism of the film,the film has been difficult to "surfaced".The last chapter of the sixth generation of directors of the future of the road of realism and expectations.