Konghou Image Analysis In Dunhuang Mogao Grottoes

The mural of the mogao grottoes in dunhuang is the largest mural of the buddhist grottoes,which has a long history,rich content and high artistic value.For thousands of years the mural content is complete,the content covers the music,dance,sculpture,painting and other fields,reflected the people to worship and belief of Buddhism.Murals in the mogao grottoes,save a lot of musical instrument image data,the variety,quantity is various,both inherent instrument,the central plains from the western regions Hu Leqi.These images have witnessed the communication between the western region and the central plains of music,and also provided valuable historical materials for musical instrument research.The konghou is common among the mogao grottoes frescoes plucked one kind of Musical Instruments,the image was first 275 th wat in mogao grottoes makes period,the northern and southern dynasties image increase gradually;During the sui and tang dynasties,the number of images was the highest,at the height of its development.The number of images decreased in the fifth generation of the western summer and gradually declined;There is only one left in the yuan dynasty.Murals in the konghou general drawing in the cave walls,herringbone phi,wat echinostelium bucket,niche position such as lintel around and around the caisson,the species is given priority to with vertical konghou and chicken first the konghou.Since makes caves appear the konghou images,the konghou of shape at different times have different changes,from small konghou of northern and southern dynasties to sui and tang dynasties of the konghou and the konghou,illustrate the konghou shape in the gradual development and innovation.Play the konghou of the ci-poetry is divided into the konghou ci-poetry enjoyed and the konghou JiLeTian two kinds,the konghou ci-poetry music people including kucha music ci-poetry,travel tule ci-poetry and feasts tule ci-poetry,The konghou JiLeTian include tiangong ci-poetry,flying the ci-poetry,yaksha enjoyed the ci-poetry,andling frequency ci-poetry and JingBian enjoyed the ci-poetry.Murals in the konghou ci-poetry by the sex of the people in the majority with male,female konghou ci-poetry music person is relatively rare,the konghou JiLeTian gender characteristics can be divided into fully masculinity and male body reflection and fully feminine three stages of evolution.The konghou music ci-poetry early simple plain clothes,single color,development to the sui and tang dynasties to the five dynasties period,the clothes become colorful,elegant,jewelry accessories is also very gorgeous.Murals in the konghou music ci-poetry by way of a piano is divided into three types: stop holding,hold a piano playing and flying air,jean posture mainly for the clip in the arm and on the ground under the two kinds.There is also a special kind of art that is played in the murals,which is "not drumming",that is,the instrument flutters in the air,as if playing a wonderful music.Image picture arrangement way of the konghou and the band’s musical instrument combination form,has a close relation with the konghou instrument status,but also has a close connection with music at that time life.