The Aesthetics Of Korean Animation In The 21st Century

As a neighbor with China’s clothing,South Korea is a typical Asian culture,peninsula culture,both rooted in the traditional tradition and absorb the excellent foreign culture.Geography and twists and turns of the calendar process history to bring Koreans worry and tragedy,the Oriental cultural traditions and bring the Korean people to subtle and restrained,which is full of sense of urgency and self-improvement of the nation,and her culture and thus a high degree of openness Flexibility and inclusiveness.Since the 21st century,the rise of the Korean film industry,with its "Asian culture"label ushered in the development of the spring,in the Asian countries stand out,and achieved good results,South Korea’s animated film as a direction to start a new Of the transition,out of the doldrums have been doldrums,based on the world’s animation production of the country.Korean animation film to take more material in real life,good at dull narrative and delicate character portrayed to show the reality of the Korean people in the subtle spirit of the world,in the fierce international competition,with its unique Korean-style artistic charm and aesthetic style Won the recognition and reputation,successfully established the Korean local cultural image,which is related to the Korean animation film refers to the rich aesthetic category and the aesthetic elements of these meticulous presentation are inseparable,therefore,this article will focus on the study of Korean animation film Major aesthetics.The first chapter introduces the purpose and significance of the research and the related research situation at home and abroad,and makes a brief summary of the research background and basic situation of this paper.The second chapter gives a brief overview of animation,animated film and Korean animation film This paper introduces the basic concept and main difference between animation,animation art and animation film,discusses the embryonic period of Korean animation film development,the long-term,transition period and the whole situation since the 21st world,and the main situation of Korean animation film since the 21st century Type of classification,cited related works.In the third chapter,the author analyzes the aesthetic connotation of the Korean animation film from the two aspects of the tragic pain experience and the natural pleasure experience of the Korean animation film.Tragic aspects,briefly discusses the tragic spirit of "hate" in Korean culture,and analyzes the tragic spiritual connotation of Korean animated films from the two kinds of concrete manifestations of the pain and life of the Korean animated film.,The analysis of the Korean animation film in the natural artistic conception of the nature and nature of the relationship between the thinking and its natural,really simple creative spirit.The fourth chapter,the author’s discussion from the Korean animation film aesthetic connotation of the aesthetic aspects of the pursuit of the pursuit of language form from the more in-depth to explore the Korean animation film visual form of the performance of the United States-that is,the color language and space Language.Color language level from the color of the visual and color emotional aspects of the two aspects of the analysis of the Korean animation film visual characteristics and spiritual heritage of the transfer.The spatial language level mainly explores the aesthetic function of the film space in Korean animation film from the spatial narrative function of space and the spatial rhetorical function of rendering space.The last part of the article is summarized,mainly summarizes the Korean animation film in the aesthetic art characteristics and its pursuit of aesthetic transcendence,and the Korean animation film development and aesthetic style as a mirror,the development of Chinese animation film some ideas.