| Chinese opera is one of the world’s three major ancient dramas,which belongs to the category of drama.However,the Chinese traditional opera has the title of "Qu novel" and "novel drama",which is similar to the novel and has the same characteristics as narrative.Throughout the development of novel and drama,it can be found that the novel and the two plays a very deep origin.From the ancient novels and dramas in the story were consistent to the novels for reference and reference of drama,novels and operas belong to different types of literary works,but the two can learn from each other,so as to enhance the performance of its own.Since the founding of the people’s Republic of China,Chinese contemporary literature has been deeply influenced by Western culture.However,under the influence of the root seeking literature,many writers turn their attention to the traditional Chinese culture,trying to absorb the traditional culture.As one of the traditional Chinese culture,the opera naturally enters into the eyes of the writer and becomes the means and tool for the writer to express his works.In this paper,Mo Yan,Jia Pingwa,and so on,as an example,the author analyzes the factors of the opera in his works,and tries to show the relationship between the contemporary Chinese novels and the culture of the opera in the field of the Chinesetraditional opera,such as the works of the Chinese opera and the opera in the form of the author,such as the author of the thesis,such as the author of the thesis,such as the author of the thesis.This paper is divided into seven parts,in addition to the introduction and conclusion,there are five chapters for discussion.The introduction mainly from the question,the present situation,the research content and the significance and so on.The first chapter analyzes China contemporary novels and opera culture from a macroscopic perspective,discusses the situation of the relationship between contemporary novels and opera culture development,and to work as an example to conclude from several types of drama in contemporary novels.In the second chapter,writer Mo Yan and Mao as an example,analysis of the writer’s own drama for love,and through the analysis of works to demonstrate the relationship between Mo Yan’s novels and Mao,so as to explore the deep meaning of Mo Yan in the novel creation into the opera.In the third chapter,Jia Pingwa and Shaanxi as an example,analysis of its origin between Jia Pingwa and Qin opera,And discusses Jia Pingwa through his works compose opera elegy,show the author for opera love and adhere to their own folk position through drama.In the fourth chapter,"Princess Ye Guangcen writer" as an example,through the analysis of the childhood experience with Peking Opera and the close connection with Peking Opera novels intertextual writing,which shows Ye Guangcen’s "life and life" life experience and Peking Opera as its works added "beijingstyle".The fifth chapter from the Kunqu opera to Kunqu volunteers Bai Xianyong opera plot,which contains novel "true and beautiful" Kunqu Opera connotation,showing Bai Xianyong for the Chinese Kunqu Opera traditional culture tour. |