Recent Years Mainland China Campus Youth Movie Studied

Since 2013,directed by Zhao Wei,"We will eventually die of youth" since the release of the mainland campus youth film has shown an unprecedented blowout of the development trend.Through the analysis of mainland China nearly four years of campus youth film commonality and characteristics,trying to explore the unique Chinese mainland campus youth film development path.Using the survey method to analyze,synthesize,compare and summarize the campus youth film published in mainland China for nearly four years,and summarize its typological development trend.Compared with the previous campus youth film,the research innovation is the conditional and restricted screening of the research object.It only thinks that "growth" is a prominent feature of the mainland youth campus film,but it is not the standard of the study object,But the "youth" and "campus" two factors contained in the objective conditions as a basis for screening the film.On the basis of the different types of forms and contents of the various types of themes,this paper summarizes the differences between the Chinese mainland and the Chinese mainland.The theme of the Chinese youth film in recent years is divided into two main themes: portraying love and recalling youth,searching for self and pursuing dreams.Campus youth film theme types embodied in the contemporary youth of the different spirit of the world and fresh personality.Second,in the film’s audio-visual language,nearly four years of Chinese mainland campus youth film embodies the type of narrative like laying out and model of the scene construction.Mainland youth film development so far,has initially had a more fixed viewing groups,has initially formed its own narrative map.Any type of narrative context is permeated with a meaningful practice,which in turn determines their use in individual films,from the analysis of objects and scenes deconstruct the Chinese mainland campus youth type of development content.In recent years,the Chinese mainland campus youth film plot organization has been able to have its own formal narrative narrative,Moreover,from the narrative techniques and perspective of the film,the Chinese mainland campus youth film narrative style is divided into the traditional linear structure of the expression of youth and cross clips Witness the growth to describe and deconstruct the characteristics of the narrative style in the mainland youth film.After analyzing and summarizing the theme types,image symbols and narrative style of youth film types in mainland China in recent years,we put forward some thoughts on the development of youth films in mainland China in recent years.In recent years,China’s commercial space to expand the expansion of various cultures and collisions,to reflect on its impact on the mainland campus youth film and impact.In addition,the film and television media as a mirror to reproduce real life,it has to build a realistic mirror for the audience,so that the audience in the reality of the mirror to obtain "social awareness" to achieve "identity" role,so the campus youth film in the character construction,And the lack of guidance oncontemporary youth values we should pay attention to.In the moment,we should be in the development of the same time,should be actively explore,rational and careful study of the face of the Chinese mainland campus youth film development.