Context Analysis Of Ink Installation

After the 1980 s,under the reform,open and free environment,the exchanges and fusions in the fields of China and the West strengthened.Compared to a single creative mode drifting away,artists began to explore the new environment of artistic creation.behind the fashion of 1985 Art Trends,some young artists for the traditional knowledge of the relative lack of knowledge,in order to pursue the modernization of the arts,the use of "anti-traditional" and "convergence of the West" cultural strategy,apparently still exist since the May Fourth's radical color,but also brought a serious "Deviate from the Chinese " problem.Under the influence of western modern and contemporary art,Chinese contemporary art did not extend and grow in the local traditional culture.It was confined to the study and digestion of western knowledge,and gradually lost its own context,and even appeared directly to the western contemporary art direct imitation.Behind the fashion of 1985 Art Trends,people gradually calm down.Fortunately,some artists have begun to realize the local value of the construction of "China",and strive to bring Chinese contemporary art back to its own context and open the process of "re-localization".They are from different angles starting from the ancient traditions to express contemporary feelings,consciously modern as the traditional development and supplement,pay attention to the traditional nutrients from the usefulness,remove the dross,emphasizing the traditional contact and expression of the contemporary attributes of the work Integration,not only in the form,but in the charm to achieve or return to the traditional spirit,to solve the problem of contemporary Chinese art and tradition of the problem.In the field of ink painting,on the one hand the traditional ink for lines,colors,materials and other forms of language use and treatment has reached the point of perfection,"four Wang" is caught in the ‘Follow the same,no creativity and innovation 'model,although the Soviet Union after the founding of the model The introduction of landscape and flower and bird techniques into the figure painting for the development of ink painting had a certain impact,but this is not the past.Western civilization and the concept of immersion,the improvement of domestic social life standards and aesthetic concepts,although the ink did not go to the end ofthe way but can not adapt to the trend of the times has become a certain fact,but also to a certain extent,led to the development of modern art space Squeeze too much to seek a breakthrough outside the traditional material.More valuable is that some excellent artists based on the local,combined with China's cultural traditions and the reality of the situation,an effective reference to Western installation art,thus establishing and developing a new artistic tradition.After the 1990 s,the installation of art in the country gradually mature to become a unique expression of the concept of media and media.Artists are based on tradition,adhere to the local,for the characteristics of the installation of the art of deepening,and the installation of art into the ink,the activation of the traditional implied modern factors,broaden the ink expression language,ink to the contemporary,to the world Maybe.