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A Study On The Orchestral Music Of Uygur Composer Shockleyti Klim

Posted on:2018-10-31Degree:MasterType:Thesis
Country:ChinaCandidate:X H ZhaoFull Text:PDF
GTID:2335330536964276Subject:Music
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Shockleyti Klim is a Xinjiang Uygur composer.In recent years,his works have won high praise in different creative fields,including opera,musicals,songs and orchestral music,which have revealed a profound national character,and contain a rich cultural theme.In all forms of genre he created,this composer embodies the consciousness of modern music in different degrees,and orchestral music creation is the most comprehensive reflection of composers to use modern techniques in present genre of folk music.This paper chooses the three orchestral works of Shockleyti Klim as the research object,and takes the creative means of combining the folk music elements with the western composition techniques as the research content.From the introduction,four main chapters and the conclusion,these six parts give a more comprehensive analysis of his musical language in inheriting traditions and drawing on the achievements of modern techniques,and explaining the artistic characteristics of his music creation.The introduction mainly describes the significance of the research,analyzes the present situation of the research,and sets up the research methods.The first chapter is "historical overview",which illustrates the historical changes of the orchestral music from the macro perspective,and plays an important role in the process.The second chapter is the brief introduction of Shockleyti Klim’s personal creation,summarizing and analyzing the artistic skills in the creation of orchestral music.The third chapter is "the analysis of works",respectively from the music and orchestration of every orchestral music analysis.The fourth chapter is "the creation characteristic",from the three aspects of music nationality,modernity and multiplicity,this part evaluates his six works.Finally,in the conclusion part,the author sorts out and continues a series of important arguments put forward by the previous chapters,and makes a systematic theoretical integration of these arguments.
Keywords/Search Tags:Contemporary music, Orchestral creation, Works analysis, Creation research
PDF Full Text Request
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