| The dynasties Wei jin southern and northern period was an important period of the future development of Chinese aesthetics,is an important period of development of Chinese literature,is "art for art’s sake" era,the era of "literature conscious".This period as Mr Zong bai-hua puts it: "han is one of China’s political turmoil in the six dynasties,the society on the pain of times,but the spirit in the history of freedom and liberation,the most intelligent and strong in the enthusiasm of an era."As early as in the pre-qin period,Chinese music and poetry are already very rich,but also only these brought to the attention of the people,the painting is just one of the best workers,and aesthetic thoughts are concentrated in just these two aspects,for other arts aesthetic reflection is no development.In pre-qin period of speculative were focused on the function of ethical culture,service for life,church and state,and the wei jin northern and southern dynasties is the "the crime situation and as a natural" aesthetic consciousness,become the mainstream of aesthetic consciousness of wei jin southern and northern dynasties period.Literati during this period has been put art into their lives,like their life to art,due to the influence of wei-jin metaphysics,these literati in the ideological liberation,personality is very free,very with behavior.So the aesthetic consciousness and aesthetic experience compared to the previous has improved to a great extent,especially in the natural landscape of the aesthetic issues of past dynasties and landscape painting as the aesthetic object,based on the southern dynasties in a natural landscape aesthetic as the breakthrough point,analysis of the emergence of the establishment of landscape painting and landscape painting,landscape painting during the wei jin southern and northern dynasties period are discussed the aesthetic features and aesthetic value.This paper into four chapters to the specific content of wei jin southern and northern dynasties landscape aesthetics.The first chapter: the origin of the landscape aesthetic.Worship landscape aesthetic is dependent on the landscape.Since ancient times,landscape as the main part of nature,is the material conditions of people relies for survival and development.Because of the social productivity is low,the scientific level is extremely low,people can’t use scientific means to reveal the nature of abnormal phenomenon,ignorant people cannot explain,in order to meet the needs of the spirit,so they rely onsuperstition bring them satisfaction.In human nature is full of curiosity to a strong desire for the nature to invade,the idea of people are willing to believe that all living beings,so the rulers to take this as an excuse for deception and squeezing the people.The second chapter: the wei jin southern and northern dynasties literati landscape aesthetic activities consciously.In the gloom of the eastern han dynasty last years of political and social unrest,make the crisis in Confucianism.The generation of metaphysics in wei jin southern and northern dynasties in the social ideological trend has an important influence.Metaphysics is not only influenced the philosophy,and also to the development of literature and aesthetics played their part.Numerous and complicated war led to the wei-jin scholars danger hidden in the woods reclusion thought.They merge with natural landscape,landscape aesthetic fashion a qualitative leap in wei jin northern and southern dynasties,landscape aesthetic,this period is incorporated in the landscape,consciously with no political purpose,the aesthetic experience of intervention,is not utilitarian attitude to appreciate the natural scenery,wei-jin scholars in the landscape of the reward will be to explore the value and meaning of life,landscape aesthetic became the aesthetic style of wei and jin dynasty.The third chapter: the establishment of the wei and the northern and southern dynasties landscape painting.Truly independent of landscape painting,first is the need for natural landscape painter has a deep love,understand and feel the beauty of natural scenery.And then the landscape from figure painting background,became an independent creative object.Due to the landscape aesthetic consciousness of wei jin southern and northern dynasties period,landscape painting was produced.In this period landscape painting independent with the subjective and objective conditions.Wei jin southern and northern dynasties period landscape painting in the bud stage,but dynasty landscape painting soon usher in the peak.The sui dynasty to the early tang dynasty landscape painting though a stagnant period with the development of landscape painting from the five dynasties period to mature gradually,song dynasty landscape painting development reached its peak.The fourth chapter: the emergence of landscape painting.Landscape painting independent and landscape creation began,the landscape painting arises at the historic moment.Painters through long-term observation and thinking,in the landscape painting creation is "vivid portrayal" formed a series of problems such as painting theory.This period was marked by gu kaizhi,Zong Bing,wang and so on one batch of painter and theorist,their painting theory far-reaching impact for future generations.Gu kaizhi "lifelikeness" is of great significance to the various aftertime,Zong Bing\ "in written form to write color color" and wang "to the body of taixu","the gods of" will "lifelikeness" application in landscape painting,pay attention to the landscape painting to write the aesthetic concepts of god,for the formation and development of the aesthetic of the Chinese traditional landscape painting provides a theoretical basis.Wei jin southern and northern dynasties period landscape painting has a great influence on the Chinese aesthetics,the period of the creation of landscape painting shows the southern dynasties aesthetic style and aesthetic value,to later generations have profound significance for the development of traditional Chinese painting art,play an important role in Chinese painting aesthetics. |
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