Research On Shi Tao’s Painting Thought From The Perspective Of Religion

Shi Tao is the most important in late Ming and early Qing Dynasty painting on genius painter and painting theorist,he is regarded as the Qing Dynasty "four monks" for the first time,he had a profound impact,taking innovation as the aim of art painting theory and unique painting techniques of the late Qing Dynasty and modern painting art development at the same time,Shi Tao also is considered to be the single handedly holding the late Qing Dynasty China landscape painting development nexus of painting master.Shi Tao: "the theory of painting monograph Kugua monk painting quotations" is considered to be an important milepost on the history of the development of Chinese classical aesthetics.Research on Shi Tao’s art circles focuses on Shi Tao’s life,size,poems and paintings to aesthetic analysis,analysis of the religious background of Shi Tao is still rare,even if there is a word or two,no systematic and comprehensive grasp.The topic of this paper is "the research" Shi Tao thought of painting from the perspective of religion,focused on the "religion" perspective to analyze Shi Tao’s thought of painting.This article is divided into six chapters,the first chapter introduces the origin,research on Shi Tao’s thought of painting the background and significance,based on defining the concept and the "painting quotations" version,put forward the research ideas and methods;the second chapter of Shi Tao’s life,personal factors and cultural background and Shi Tao of the late Ming Dynasty Qing Dynasty unique to portray Shi Tao’s artistic life trajectory and comprehensive framework,to analyze the formation of Shi Tao’s thought of painting and starting from the periphery;in the third chapter,the most important life of Shi Tao,Xuancheng,Nanjing,Beijing,Yangzhou four times in style,affect the mood changes with the local geographical environment and religion brought on his painting style the transition from different periods,the cause of Shi Tao’s painting style of the thought,to the vertical dimension to the Shi Tao study;the fourth chapter by Shi Tao The "painting quotations" in "a painting","I" and "respect" and other core concepts to analyze its aesthetic ideas,based on theanalysis of related concepts and the root of the matter,demonstrates the relationship between "painting quotations" thought and religion;the fifth part is based on the summary of the previous chapters,system describes the influence of Confucianism and Taoism on Shi Tao’s painting thoughts;the sixth chapter mainly discusses the influence of Shi Tao’s painting thoughts on future generations.In particular his new art reform aims,creative use of the dialectical thinking of artistic creation and promote the generation of aesthetic images China painting,put forward these theory and practice will have a direct impact on Yangzhou eight strange,such as Qi Baishi,Zhang Daqian and a large number of artists.Finally,Shi Tao’s painting thought is based on inheriting the traditional painting theory on the China,into the aesthetics thought of Confucianism and self-contained.