Dramatic Studies Of Liu Zhenyun's Novel "I'm Not Pan Jinlian"

The academic circles have different opinions about Liu Zhenyun,but generally speaking,there are many voices of praise about him.Since the "electric shock",Liu Zhenyun's creative style has changed greatly,and in his later works,"dramatic" factors are more than before.This topic is mainly based on this change,starting from the specific works "I'm not Pan Jinlian",to discuss the novel ' s drama factors,and using the methods of theory and practice to analyze the characteristics of dramatization and the influence brought by dramatization.In my opinion,"I'm not Pan Jinlian" is not the highest literary achievement in Liu Zhenyun's works,but it is indeed the most obvious feature of drama.The full text is divided into three parts to discussion.The first chapter is about the dramatic feature of "I'm not Pan Jinlian".First of all,from two literary styles: the writer define the concept and connotation of the dramatization of novels based on literary phenomenon from the development process of novels and dramas.When writers create novels,they introduce some dramatic artistic expressions and dramatic artistic thinking modes,which is the premise of dramatic novel.In this part,I quote some views of Zhang Xiangdong,Lv Yu and Wangyu.Then I analysis the dramatic features of novels from the novel's characters,the plot and the environment.In the second section,I specifically discuss the characteristics of "dramatization" from two major aspects of narrative style and narrator of this novel."I am not pan jinlian" use the visual,life-oriented dialogue language to promote the plot.The plot is set up by accident and fragmentation.The author deliberately retreats the narrator's voice,and the full text does not have the obvious author's words and the author's emotional attitude.The second chapter is about the dramatization and absurdity of "I'm not Pan Jinlian " There is no direct relationship between drama and absurdity,but sometimes dramatists use absurd techniques when they need to achieve some dramatic artistic effects.In this chapter,firstly,I make a research review about the absurdity which is pointed at the more prominentabsurdity of the novel in the study.The conclusion is that most of the scholars are discussing the novel's absurdity from the aspect of relation of absurd narration and serious subjects.This chapter is a theoretical study about the relationship between absurdity and dramatization.Liu Zhenyun's novel is the absurdity of the narrative,puting contingency and inevitability together,it gives people a dramatic atmosphere,but beind this kind of atmosphere,the serious topic of politics and law,the relationship between government and the people are showed out.In fact,there is no certain connection between absurdity and drama,but in this typical novel,there is a great correlation between the two.The third chapter is about the influence of film and television adaptation on Liu Zhenyun's creation.This chapter begins with the introduction of the subjective and objective factors of the infiltration of dramatic factors.It can be concluded that,along with the impact of visual culture,an inevitable trend in the process of novel creation has to be adapted.Liu Zhenyun,as a general writer in this backdrop,is inevitably influenced by this trend,which not avoided.In other words,Liu Zhenyun actively combine the film to television drama,in the purpose of seeking the road to reform and innovate.However,the adaptation is a great challenge to all modern contemporary writers,including Liu Zhenyun.In this chapter,I mainly focus on Liu Zhenyun's all representative novels.According to the comparison of specific works,we will understand the influence which not only positive but also negative effects,brought by dramatic factors.So we should be have a more objective and dialectical view of film adaptation of novels.As a novelist,whether in traditional context,or in today's era of visual culture under the impact,they should adhere to the status of ontology in the story,and absorb the fresh products of social development in a timely manner.The art of film and television is used as an auxiliary tool for the creation of novels to expand the development space of the novel and enhance the competitiveness of the novel.