Wang Guowei's Artistic Conception's Another Face From Opera History Of Song And Yuan Dynasty

Wang Guowei's Opera History of Song and Yuan Dynasty is a very important theory in the history of Chinese opera works,it not only affirms Yuan Drama's literary position,and affirms it as a discipline.In Opera History of Song and Yuan Dynasty,Wang Guowei continue to explain the meaning of “artistic conception”,but the object is not the poetry but Yuan Drama.The connotation of “artistic conception” has changed in the different literary genre,and the fundamental cause lies in the uniqueness of the literary genre of Yuan Drama.The explanation of the artistic conception of Yuan Drama,“What is the meaning of it? writing emotion is refreshing,the picture is in the eyes and ears,the statement is like its mouth” has exceeded the previous understanding of the concept.In the eyes of most of scholars and experts,“artistic conception”,include feeling and scenery,Wang Guowei had said in Ren Jian Ci Hua,“In works,the feeling will be refreshing,the scenery will clear and fresh ears and eyes”.But in Opera History of Song and Yuan Dynasty,the connotation of “artistic conception” is rich,and he not only elaborates it from feeling and scenery,but also from the angle of narration.So “artistic conception” becomes a unique concept.This article's research idea is from the “artistic conception” in Opera History of Song and Yuan Dynasty,this paper elaborates the playwright is how to write to cause Yuan Drama's artistic conception,and discusses the development of the connotation of the “artistic conception” from the poetry to Yuan Drama.This paper is divided into four parts.The introduction mainly introduces the current research status of the “artistic conception” of Wang Guowei and the research idea of this paper.The first chapter is about the first aspect of the connotation of “artistic conception” in the Opera History of Song and Yuan Dynasty.Firstly,the forming condition of opera text's lyricism is analyzed.The second aspect is to discuss how the playwright writes feeling to produce the “refreshing” artistic conception,which is mainly discussed from three aspects,include lyric expression through scenery,things and metaphor.The third part analyzes the development of the connotation of “artistic conception” in the transformation of the two genres from Yuan Drama to the poetry,namely the uniqueness of “artistic conception” in “writing emotion” in Opera History of Song and Yuan Dynasty.The second chapter is about the second aspect of “artistic conception” in Opera History of Song and Yuan Dynasty.First of all,it is the essence of the phrase “painting is in the eyes and ears”.Secondly,elaborate the playwright is how to through the scenery so as to make the script to produce the effect of “painting is in the eyes and ears”.The paper discusses it from three aspects: the scenery which is seen by player,the representative scenery and the correct and appropriate modifiers.Finally,a concrete analysis of the connotation of “artistic conception” in the evolution of the two styles,namely the unique connotation of the second aspect of “artistic conception” in Opera History of Song and Yuan Dynasty.The third chapter is the third aspect of the connotation of “artistic conception” in Opera History of Song and Yuan Dynasty,namely,“the statement is like its mouth”.The first part illustrates the essence of this sentence,and secondly the playwright is how to narrate to produce “artistic conception”,the essay discusses some elements,mainly through the use of narrative perspective,the endorsement and narrative environment.Finally,the connotation and peculiarity of the third aspect of “artistic conception” in Yuan Drama is discussed.The fourth chapter is mainly from the sublation of the personality theory of “artistic conception”.The reason of Wang Guowei defined the concept's third aspect's connotation in Opera History of Song and Yuan Dynasty is that he thinks the personality theory of Yuan Drama has a certain similarity with the western drama theory,so he develops the connotation of the “artistic conception” in his character theory.It mainly includes two aspects,the first is the character language must conform to the character identity.The second is that the character must be rich.The paper reflects character from different aspects.But in Opera History of Song and Yuan Dynasty,he doesn't write too much about personality,it's because the text restriction.Yuan Drama's script is different from the western drama's script which is a reflection of his abandonment and denial of personality.