The Study Of Percussion And Wind Music In Guangping City

The study of Percussion and Wind music in Guangping City,in order to hackle the different edition Guangping City Records as the clue,and studied its related cultural issues during the Ming and Qing dynasties.It aims at clarifying Percussion and Wind music of Guangping City the origin of music,the development process of the Ming and Qing dynasties,and the transformation of the promotion of music in modern times.This paper for studies the pronunciation and meaning of “Gu” and ”Chui”,compare with existing form of Percussion and Wind music to determine the basic classification of Guchui;for the development of Percussion and Wind music in the Military in Ming Dynasty,with the reason and influence of downshifting are studied and analyzed after the Mid-Ming dynasty;for Percussion and Wind music of Guangping City follow the Ming dynasty form in Qing dynasty and they should adjust the use of the original Percussion and Wind music,according to the needs of the ruler.The development of Percussion and Wind music has not been stagnated by regime change when the Qing regime died.Artists are constantly adapting to social development and exploring new roads.Today,spread in YongiNan district,“YongNian blowing song” is continuation of Percussion and Wind music in Guangping City,it is booming in local culture.The study of Percussion and Wind music in Guangping City not only is a regional case,but also it has certain reference significance to the Percussion and Wind music study centered on the city.At the same time,it can be used to study the origin and development history of YongNian blowing song.The paper introduces Huang Renyu’s views” Macro Historical”,and it can be divided into two parts of Percussion and Wind music in Guangping City,that is longitudinal diachronic and horizontal synchronic of macro-history.The appearance and development of any one thing is not an accidental phenomenon,but the inevitable result of many things in hisroty.Tradition is a river,nevertheless every place where the river passes will affect the composition of the river,and history is also a river.Traditional music protection can do “museum’s form” protection that is debatable.It can be determined that Percussion and Wind music development in Hebei region is not only the appearance that is seen in the present,but also makes corresponding development plans through the experience of historical development.It may provide a good living environment for Percussion and Wind music music development in Hebei region.The author hopes that this study can provide some new ideas for music research in Hebei region and carry forward the music form through theoretical guidance practice.