The Ethics Narrates Of Ye Zhaoyan's Novel

Ye Zhaoyan,a writer in Nanjing,has been labeled "pioneer" "new realism" and"neo-historicism" for nearly forty years in his writing experience.It's hard to classify Ye Zhaoyan as a literary camp.And it is the uniqueness that makes Ye Zhaoyan continue to explore new ideas and new narrative tones in her novels."The unforgettable achievement" published in the magazine "Zhongshan "2017 4th issue is the old path back to the new history.The research on Ye Zhaoyan's novels by critics began in the late 1980s,and the research has been fuitful.However,the researchers are limited to the exploration of the specific themes and artistic characteristics of the works,and the lack of relevant papers on Ye Zhaoyan's novels from the angle of ethics is mainly reflected in the fact that researchers mostly stay in the analysis of the writer's works from a single narratological point of view.The ethical narration of Ye Zhaoyan's novels is a subject that Ye Zhaoyan has not studied systematically in recent years.On this basis,this essay will focus on the ethics narrates of Ye Zhaoyan's novels.By analyzing the themes of writers' novels,this essay,based on three aspects:loving ethics,historical ethics and existential ethics,aims to explore the ethics narrates in Ye Zhaoyan's novels through the reading in detail and analysis of the author's works,so as to obtain the unique status of the ethics narrates in Ye Zhaoyan's novels in contemporary novels.The introduction briefly elaborates the context of Ye Zhaoyan's novels and the current situation of the research,explains the reasons why the thesis is selected,the significance of the research and the thought of the thesis.The first chapter explains the love narrative in Ye Zhaoyan's novels desalting the ideology of love from three aspects:the narrative of the rebel ethic sex,the alienation of the modern ethics of marriage and the poetic exploration of the ethics of love.In the narrative structure,no longer as a standard of moral value judgment.The composition of "sex" in the narrative of love completely reinforces the daily narrative ethics."Sex" has become the source of all evil and tragedy such as "death"and "violence."The second chapter discusses the historical narrative style of Ye Zhaoyan's novel,which is separated from reality and fiction.By reflecting on the traditional historical ethics,the article explores the daily expression of historical novels by Ye Zhaoyan.At first,the novel deconstructs the grand historical narration through the questioning of the orthodox history and the exploration of the possibility of history.Ye Zhaoyan's rewriting of historical memory,with individualized daily history as a manifestation,constructs the historical style of "lower case".Finally,through the formalization of the historical experience of individuals and the formalization of the"historical" scene,it also explores the concern of Ye Zhaoyan's novels about non-mainstream "history."The third chapter probes into the uniqueness of the survival ethics narration in Ye Zhaoyan 's novels from three aspects.First,Ye zhaoyan's novel shows the fragility of life and discusses how the individual of life resolves grief and heavy in the concept of bioethics.Second,the fiction purifies the fear of death,dissolves the lofty meaning of the existence of life and explores the tragic consciousness of life.Finally,through the attitude of the living person to death,the individual of life escapes the reality by borrowing death to tell the value of death on the existential ethics.Concluding remarks section summarizes Ye Zhaoyan frequent tests in various types of literature,the only constant is his concern for the real life.Ye Zhaoyan's ethical narrative has not changed with his narrative skills,presenting an objective and calm narrative position.He rose from the most classic ethical narrative of love to the "macroscopic" historical ethical narration to the survival ethics narration in the most general sense.The ethical moral conception always existed in Ye Zhaoyan's novels.