From Chardin To Morandi

With the growing spread of the current image in the visual media, easel painting and figurative language arefacing thesituation more and more severe and confusing. This paper attempts to cut from the images, such as the heart angle, combing through Chardin, Morandi two artists on the elements of the painting figurative language understanding and expression analysis in appearance and subliminal association between them(that is, from the physical image to mental imagery): the language of painting Chardin naturalistic, everyday things and take care of the civilian population is a simple aesthetic images; within Morandi's work is full of the spirit of that depends on the structure, form, color, a stroke mental and spiritual aspects of creation. In this paper, in order to figurative painting contemporary art in the Context of Exploration for reflection retrospective and prospect possibilities for future development.