The Aesthetics Of Color In The Context Of Chinese Traditional Culture

The participation of the existence of any things cannot leave the colour, as an important part of art works, even if it took all the audience aesthetic change during the period of different, but always has a pivotal position. Color while it is possible to become an independent artistic language exist alone, but if from the support of a specific culture,it is difficult to and as an aesthetic subject, produce emotional resonance. The traditional culture of China, however, in the time span and content in both width determines the derivation process of colour aesthetic needs must experience a long stage.Human understanding and utilization on color has a long history, color as for human visual sense of the most exciting force factor, in recent years more and more get the fine arts class related practitioners, especially the attention of the designers, but the industry for the exploration of colour aesthetic derivation are few and far between. Based on this background, study the change of colour aesthetic, through the development direction of traced back for quite a long time, probe into its behind the related laws, it has extremely important theoretical and practical significance.For colour aesthetic derivation of Chinese traditional culture under the background of research, the paper will be the color preferences of each historical period, induces its and different deep relations between mainstream culture and the social environment,combining the questionnaire has recycled the summary of the data, analyze the colour of today’s audience aesthetic tendency, in order to unearth the universality of the modern society is feasible in terms of colour is applied law, at the same time for the domestic color direction of modern design to provide the corresponding facts. Reason at this stage in the colour aesthetic of greater openness and gradually show the design of the coloring problem, also put forward some opinions and Suggestions. This paper is to research in this thesis is to hope to borrow from colour is looking for clues in the historical evolution,not limited to formation neither from its traditional culture and joint frontier times scientific idea of coloring.