Kang Hai Song Research

Kanghai is a famous writer in the middle of the Ming dynasty and the first Number One Scholar in shanxi province.He not only one of the main members of "the former seven scholars"in the literary world of Ming dynasty but also enjoyed a high reputation in the literary world of Ming dynasty.His literary creation,especially the non-dramatic songs and drama have a great significance to the development of drama in Ming dynasty. Ming non-dramatic songs experienced the beginning of the great depression, had a renaissance starting from the chenghua ten years later,and reach to prosperity in zheng de and jia jing period. Kanghai is one of the most representative figures in the development boom of the Ming non-dramatic songs.His non-dramatic songs represented the crafty sycophant in power, as the dark reality of corruption frustrated scholar’s angry voice in the middle of the Ming dynasty.He also had two drama "zhong shan lang"and "wang Ian qing",among them "zhong shan lang" in Ming dynasty, is one of the few masterpieces,created the fable satire drama types in the history of the drama of Ming dynasty,plays a very important role for the prospects of the drama of Ming dynasty.Now academic circles study of kanghais’ non-dramatic songs and drama works is still concentrated in the ideological content, artistic features, characters etc, at traditional one end. Kanghai is a native of guan zhong man, his Personality thought and literary creative more under the influence of qin culture and local customs. As a result, about Kanghais’non-dramatic songs and drama creation origin relations of Qinqiang and drama activities for the affect of Qinqiang has room for study. In this paper, based on this,the author trying to carry on the comprehensive analysis with a rigorous attitude of Kanghais’non-dramatic songs and drama.To explore the origin relations of Kanghai ecru uninhibited of non-dramatic songs and Qinqiang. And the impact of Kanghais’ drama activities on Qinqiang.In this paper, there have four chapters conducted a comprehensive and meticulous research to Kanghais’ non-dramatic songs and drama.The first chapter briefly describes Kanghais’ writings and personality thought.First of all,his life and writings are briefly introduced; Secondly analyzes the relationship of Qin culture and Kanghais’ personality formation.Which outlines the personality of Qin culture. Also analysis of its’ impact on Kanghais’ personality. The second chapter conduct a comprehensive study to Kanghais’non-dramatic songs.Mainly study from the Ideological implication artistic characteristics, significance and the relationship with Qinqiang form the four aspects. Among them the ideological content of Kanghais’non-dramatic song- are divided into "cynical", "idle", "bei", "the cry of the people" four aspects; In the end,The author through the analysis of the style of the non-dramatic songs,sum up "Qinqiang style non-dramatic song works". To explore the relationship between the style of Kanghais’ songs and the style of Qinqiang. The third chapter studies Kanghais’drama works. Mainly carries on the analysis,from the creation background,the ideological content and artistic features,the three aspects.The study of this chapter to intensive analysis Kanghais’ two drama works "zhong Shan lang" and "Wang Ian qing"s’ thought content,character features, language features.The fourth chapter research the impact of Kanghais’ drama activities on Qinqiang. Mainly discuss from the two aspects of creative activities and drama practice.Firstly,analysis the influence of Kanghais’opera research and creation on the Qinqiang. Including the creation of "Kangwangqiang",the preparation of the drama script; Secondly, analysis of the effect of Kanghais’drama practice activities on the Qinqiang. Including the creation of theatrical troupe organized the autumn to god, draw props Qinqiang opera facial makeup, and with musical instruments, etc.