A Contemporary “freehand Sculpture” Rooted In The Traditional Chinese Context

"Impressionistic sculpture" performance has been accompanied by our traditional way is the development of plastic arts, implicit in our national art for thousands of years. After thousands of years of Chinese nation to survive, also formed their own independent aesthetic system, both the importance of the natural images of subjective feelings, do not pay attention to natural images faithful imitation, is "image" for the soul. "Freehand" The main difference would be in Western culture, is a symbol of Chinese culture independent identity, but also the ideal of Chinese culture, is a reflection of our inner ethos.Development of Chinese sculpture experienced a traditional "impressionistic sculpture" Modern development process of learning from the West of classical sculpture, modernist sculpture, and contemporary to traditional "impressionistic sculpture" reversion. Traditional "impressionistic sculpture" the heritage of the traditional aesthetic spirit of Chinese culture, the performance of the Huaxia Art Shizhong Can bad side. Our ancestors in the pursuit of artistic creation is the expression of spiritual "metaphysical", which is superior to other peoples of our nation’s place in the artistic expression. Western sculpture and the pursuit of the "physical" side of science, rigorous attention to accurate modeling, which will be limited to within a specific framework of artistic expression, so that the lack of a fresh artistic expression. Because we seek is spiritual emotion, so that when we use more artistic expressions and practices, create more free space, flexible work contains emotions are more abundant. The contemporary "impressionistic sculpture" Creation began to revert to the traditional culture emotion precisely reflects the superiority of our national aesthetic realm.