The Spread Of The Typical Marxist Theory In China Before 1950

"Tupos"(type) is an important category of literary theory in China and also in modern literature is an important theoretical concept of literature. As part of realism in literature and literary criticism occupies a very important position. We have been constantly involved in controversy again and again about it being. Whenever the literary world when changing type is always sensitive, even in combat positions. Needless to say, the type Marxism theory of literature and the Soviet Union to study closely related. As a exotic, when it is shifted from the local to the remote, under the new environment, it will naturally produce intense and places of cultural collision, thus deformed, become a region with the theory of color. This is what we call the Marxist type China of the process. In this process, the Marxist type theory is not just a pure culture phenomenon, but a historical and cultural phenomenon. To some extent, the Marxist type theory rooted in our country, germination, flowering, and the results of the development and evolution of political and cultural forms closely related.After the Russian Revolution, many Chinese thinkers are salvaging with the purpose of Marxist theory into our country. Marxist theory as a typical part of Marxist theory was introduced to China. In the twenties of the twentieth century, the artistic needs of the literary critic, the Marxist type theory successful landing in China. During this period, to explore the type theory to practice is a creative writer began as the center. The "red three decades", the Communist Party of China under the left-wing organization Union of Writers was established, under the organization of the red revolutionary groups, setting off a tide Translation of Marxist literary theory and literary works of the Soviet Union. Marx and Engels discusses the typical Marxist theory on this is that the original translation of the tide is coming. Based on this rationale, many scientists began to start a new round of discussions typical theory, such as Qu Qiubai, Lu Xun, Hu Feng, Zhou Yang and so on. We can say that this period is the Marxist type theory’s " development period". It is noteworthy that, during this period and the development trend twenties completely different, more penetration of political ideology. Writers are not simply the typical Unifying theory itself, but mainly hidden behind the right to speak in their fight. Early forties, Mao Zedong’s in Yan’an Forum on Literature Speech was published, marking the Marxist type theory into the "mainstream period." Mao Zedong give the Marxist type theory requires clear policies and political orientation. He asked to focus on typical literary works, literary and artistic creation typifying the way to go to create a "new characters". Obviously, in this period, the Marxist type theory and politics closely together. Following Mao Zedong, Cai Yi entered in his aesthetic system in a "type" category of this theory, and as the cornerstone of their own aesthetic system.In this paper, through the analysis of Lu Xun, Qu Qiubai, Hu Feng, Zhou Yang,Mao Zedong, Cai Yi that several iconic figures acceptance of the Marxist type theory, use to tease out a clearer the Marxist type theory China spread, route development, thus revealing the connotation of development of Marxist theory in China’s type, and dig out the typical theory as a discourse, unity and dialectical relationship between politics in the historical Context.