Study On The Inheritance And Development Of Chengde Teng’s Bud Painting In Hebei Province

Folk arts and crafts have a long history in China.It is produced and developed to meet people’s spiritual and material needs.It is a constant evolution of people using different techniques and different materials.For ourselves.It is indispensable to the entire nation.As the country’s protection of non-legacy continues to deepen,the voice we often hear is "retaining craftsmanship." At present,the subject of protecting and inheriting folk crafts is still being explored.In response to this situation,this paper selects the subject of the inheritance and development of Chengde Teng’s cloth painting in Hebei.The development and changes of society are changing with each passing day,and we are developing at a speed we can’t think of.People are constantly pursuing their own economy and maximizing their economic interests.People are pursuing the maximization of economic benefits,but they ignore other aspects of intangibles.The value is not worth the candle.Many of the traditional folk art we have seen have been broken,and even some folk crafts have been lost or endangered.The intangible heritage of the spiritual DNA1 of Hebei Province should be fully and profoundly protected immediately.Along with the new cultural trend and the change of people’s aesthetic values,people have made some changes in the value orientation and ideas of folk art.Under the continuous improvement of material civilization and spiritual civilization,people can be restored to traditional folk crafts.The art of art,folk arts and crafts are constantly updated,traditional arts and crafts can not fall,but also keep pace with the times and develop synergistically.This topic firstly analyzes the artistic characteristics and prospects of cloth painting through the study of the current situation of cloth painting.Through the investigation of the intangible cultural heritage of Teng’s clothpainting,the promotion of Chengde local culture and the improvement of people’s traditional culture.Recognize and add to the development of local characteristics culture for Chengde as a tourist city.Non-legacy can work with the school,which can improve students’ love for the motherland and improve their imagination and creativity.In view of the problems in Teng’s cloth painting in folk crafts and future development,I have personal thoughts,which inspired me to dig deep into the traditional artistic features of cloth painting and the enthusiasm of workmanship techniques.This is also an important purpose of my research..However,based on the narrow scope of the paintings,there are certain limitations.Based on this,this topic has further thoughts on the inheritance of folk crafts,and put forward the author’s development prospects for the development of cloth painting.Some personal suggestions.