The Research Of The Shibi Visual Art Of Qiang In Sichuan Northwest Area In The Material Form

Qiang ethnic minority is one of China’s many ethnic minorities,and has never missed the history train of China from primitive nomads to the Xi Xia Dynasty,and to the founding of new China for 5,000 years.The ancient nationality means that the Qiang ethnic minority has a strong and unique cultural spirit core.Unfortunately,Qiang ethnic minority has a long history but no word spread,their national cultural view and historical inheritance are only inherited by Qiang unique and classical ways of shibi such as actual observation imitation and memory chant,etc.In a sense,shibi is the encyclopedia of the Qiang people,and therefore the sacred and mysterious role of shibi is worhing studying.Because Qiang people began in the nomadic,experienced separation and restructuring between tribes in the history of migration,and this research scope is mainly selected in northwest Sichuan province.The visual element characteristics and artistic value of shibiis analyzed and discussed by using the field investigation,comparative research,the methods of literature analysis,ethnology,anthropology,art,aesthetics,linguistics as well as other related theories and methods of the multidisciplinary interaction analysis from the perspective of art visual interpretation.The causes and social functions behind the visual elements are studied through the analysis of the visual elements of shibi.Firstly,the thesis introduces the topic selection,the research status of related fields at home and abroad,and elaborates the necessity of the thesis research.In the chapter on "the visual art of Qiang people shibi in the northwest of Sichuan province under the material form",the main research contents of the visual art of Qiang people shibi in the northwest of Sichuan province under the material form are summarized.In the chapter on "introduction to the shibi culture of the Qiang people in the northwest of Sichuan province",it systematically interprets the Qiang people historical and cultural context,national belief and worship,sortes out the specific functions of the shibi,and explains the significance of the shibi culture inheritance.In the chapter on "research on the visual art of shibi ornaments in the northwest of Sichuan Qiang nationality",the main categories,materials and crafts of shibi decorations and decorative features are analyzed in detail.Meanwhile,the visual art characteristics and value of shibi ornaments is also elaborated.In the chapter on "research on the visual art of shibi costume tools of the Qiang people in the northwest of Sichuan province",the shibi in the northwest of Sichuan is divided into the south and the north based on the geographical location factors,and the similarities and differences of the visual art features of shibi costume tools in these different regions are compared and analyzed.In the chapter on "research on the visual arts of the shibi costumes of the Qiang people in the northwest of Sichuan province",after a comprehensive analysis of the shibi visual art in the northwest of Sichuan province in the past few chapters,the author proposes some application design schemes of shibi visual elements to promote and protect the culture of Qiang people and their shibi from the perspective of cultural creative design and the means of modern design.The innovation of this paper is mainly reflected in the research perspective and theory.First,from the perspective of visual art,the paper constructs a systematic and reasonable disciplinary framework for the study of Qiang shibi in the northwest Sichuan region by the thinking in-depth and research on the form of visual art expression.This paper analyzes the attractive visual art features and imprints the culture into the national memory by combination with the modern context and traditional culture,so as to carry forward and inherit the excellent traditional culture of the Chinese nation.Qiang shibi study is a new perspective and exploration in the field of folk culture inheritance.This is in line with the trend of the great rejuvenation of the Chinese nation and the people’ spiritual and cultural needs,and it is also a new opportunity for national culture to radiate infinite new vitality.Secondly,in terms of theoretical research,the relevant features of Qiang shibi are constantly integrated and sorted out in detail so as to analyze its visual art characteristics,make it a unique new theory in the study of Qiang shibi,and add ways and methods to improve the study of shibi.