On Beckett’s Writing And The Ends Of The Novel

Beckett’s writing is very avant-garde,both his plays and his novels are very experimental.As far as his novels are concerned,this kind of avant-garde is mainly reflected in Beckett’s attempt to end the fence of traditional novel creation and set a new road of creation.Traditional novels are all inclusive in content,but in terms of expressing skills,they are difficult to cope with,and the form and content of novels show a state of isolation.Beckett’s writing is to get rid of the form and content of the stripping condition to form is content,content structure "of the creation of the concept of the traditional novels deconstruct and is committed to absolutely eliminate the boundaries between literary genres,and tries to construct an" absolute "in the sense of text writing.In this paper the study of Beckett’s writing and the ends of the novel is based on the reading of Beckett’s novels.The comparison of Beckett’s novels and traditional novels on the under,an analysis of the train of thought is "why the novel ends"、"The performance of the end of novel"、"after the end of the novel".The focus of the question is "how to ends the novel" and "the ends of the novel".The introduction part mainly summarizes the present situation of the research on Beckett’s novels at home and abroad,this part focuses on the analysis of the research literature on the end of Beckett’s novels,and makes a preliminary definition of the ends of the novel.Finally,the research ideas,methods and significance of the paper are explained.The first chapter discusses the background of Beckett’s writing,mainly from two aspects:the philosophical background and the crisis of novel writing.About the source of Beckett’s philosophy of writing,the academic circles elaborate it and Heraclitus,Descartes,Spinoza,Berkeley,Kant and Schopenhauer,the philosopher’s relationship,and less of discuss about Hegel and Nietzsche’s influence on Beckett.In this paper,"the end of the novel" as the starting point,focus on Beckett and Hegel’s "absolute",Nietzsche’s "God is dead," the theoretical relationship.In addition,Beckett’s writing is closely related to the ends of the novel and the writing crisis since nineteenth Century.The second chapter is mainly based on Beckett’s novels,discusses how to end the novel,mainly discusses the form and content of the end of the novel.In the aspect of form,the author mainly analyzes the features of Beckett’s novels,such as the breakage and suture of the plot,the application of the focused painting and the jumping narrative strategy,and the language features.In the content,mainly from two aspects of the characters and the theme of Beckett’s writing and the end of the novel.It is pointed out that in the aspect of shaping the character of the characters,Beckett follows the context of "knowing himself’,"taking care of himself’and "self recession".In the aspect of the subject,Beckett insists on the principle of refusing the moral and political writing,and emphasizes on the creation of the novel.The third chapter mainly discusses the writing of "after the end of the novel",which mainly discusses the problems of Beckett’s escape literature writing,language and philosophy and text.Finally,the author sums up the important features of Beckett’s writing and the ending of the novel,and explains the writing of the novel after Beckett.