The Study On Appearance-Spirit Concept Of Chinese Landscape Painting Theory In The Six Dynasties

The Appearance-spirit Concept is one of the most important ideological propositions in Chinese classical aesthetics.It originated in philosophy and transformed to the of literature and art theory in the Six Dynasties.At the same time,Chinese landscape painting was promoted by painting theorist,such as Gu Kaizhi,Zong Bing,Wang Wei,it gradually became an independent painting department.In this period,the Appearance-spirit Concept highlights the concern of the organic structure of the whole artistic creation.It has far-reaching influence for the future generations of Chinese traditional landscape painting.Based on the law of the development of art itself,this study makes a social and historical investigation of the background of the birth of landscape painting.By analyzing the Appearance-spirit Concept of Gu Kaizhi,Zong Bing,and Wang Wei,in order to fully grasp the connotation of the Appearance-spirit Concept of the Six Dynasties landscape painting.Inherit the tradition and use it for the present.It is a social concern for contemporary young scholars to make positive and beneficial contributions to social ecology,life ecology and subject ecology.