On The Critique Of A Lai’s Novel

Alai’s novel creation occupies an important position in the history of contemporary literature.Alai keeps writing since the late 1980 s,his unique narrative approach and deep historical excavation have attracted the attention of critics.The critical history of the past three decades has made a big progress.As a phenomenon of contemporary literary criticism,Alai’s fiction criticism reflects the influence of social cultural contexts and the development of new media on literary criticism.The complexity of the text and cultural particularity of Alai’s novels form some difficulties and focus issues.Different opinions on these issues forms disagreements as hidden forces that silently promotes the development of Alai’s novel criticism.In terms of criticism,it is possible to form four peaks of culture,poetry,history,and humanity.Each novel has its own characteristics in its various dimensions,and it is unavoidable to has certain limitations,and all of these constitute a dynamic history of Alai’s novels.The history of criticism is the history of the work’s canonicalization.Finding the classical path of “dust settles” from the history of Alai’s criticism of novels is the useful one to explore the process and methods of smelting contemporary literature into classics.And as a "living force",the history of criticism participates in the process of shaping the spirit of contemporary literary criticism.Alai’s novel criticism breaks through the predicament of Tibetan literary criticism,expands the critique of Tibetan literary criticism,and deepens the horizon of criticism.It promotes the development of literary criticism,and provides the literary experience for the creation of contemporary Chinese novel.Of course,there are some problems in the development history of Alai’s novel criticism in the past three decades.The Han nationality criticsorother non-Tibetan critics have deviations in cultural understanding in the face of Tibetan novels,which manifest themselves as misunderstandings in criticism;The critics are too concerned about the national culture and national characteristics of the novel,so there is a certain type of repetition.Commodity economy incurs fierce criticism of novels and the short stories.These problems are not only the shortcomings of Alai’s novel criticism,but also the reflection about the section of contemporary literary criticism.This requires critics and theorists to seek the new development possibilities for criticism.Taking the multi-ethnic literary history and cross-cultural research as the theoretical foundation and methodologicalapproach is of great benefit for the development of Alai’s novel criticism.It is possible to come toward the world,root in the nationality and over it.