The Creation And Thinking Of Ethnic Minority Themes Of Chinese Painting

China has been a multi-ethnic country since ancient times.Chinese minority paintings are paintings preserved in the history of Chinese art and depict the history and culture of ethnic minorities.Through the use of traditional Chinese ink painting techniques and combined with the current background of the era has created a certain significance and value of the national theme painting.In terms of the content and spirit of paintings,the paintings of ethnic minorities in China mainly focus on two aspects: on the one hand,they represent the ethnic characteristics of ethnic minorities,namely customs,customs and customs;on the other hand,they use the painting style of Chinese painting to map out great China.The humanistic spirit of the nation and the great banner of the great unity of all nations.We must grasp the creative nature of ethnic minorities’ Chinese paintings,that is,the study of the themes of ethnic minorities,so that we can create artistic works with the significance and value of the times.In the long history of the development of Chinese fine arts,many paintings reflecting the theme of ethnic minorities have been retained,with various forms and characteristics.These paintings express the long history of the nation and rich national culture in the creation of paintings.This not only has far-reaching significance for the creation of contemporary Chinese figure paintings,but also has its own cultural and historical value.It can be seen that contemporary ethnic minorities Chinese paintings play a decisive role in the creation of Chinese paintings.During the period when this painting creation flourished,many artists pioneered innovations,applied new painting techniques and materials,and changed the angle of observation.These new creative ideas and performance techniques are the needs of the new era of painting creation.They can not only fill new vitality for today’s ethnic minorities Chinese painting,but also promote the development of the entire painting field.The Sibbon-based Chinese painting created by me-"The West of Love" is a result of my practice.This painting was selected by the National Art Fund’s "Xi Qian Zan Ge Dong Qing Road," the northeast region of the northeastern region moved to the six provinces of the North American art exhibition tour.In this thesis,I introduce my thoughts on the topic selection and implementation stage in the early stage of creation,as well as the selection of elements in my entire painting creation process,including orientation angles,composition forms,character images,and techniques.Throughout the creative process,I had a more realistic understanding of the creation of paintings of ethnic minorities in China,and I also had many reflections on my own creation.These are also reflected in this article.The process from scratch is a learning process.Through this painting,I have also learned a lot,which is of great help to my future painting creation.