Review On The Application Of Beijing Dialect And Rhythm In Mordern Guzheng Composition

After new China was founded,China's external exchanges increasingly,continuously carry out the communication between Chinese and western in such aspects as politics,economy,science and technology not only bring numerous thinking and transformation,but also caused the collision and fusion of culture and art thought.With the inflow of western music,western music culture thought gradually penetrated into Chinese traditional instrumental music in the music creation,makes many national instrumental music playing techniques and creative ideas are quietly changing,reflects in the field of Guzheng,is that many musicians began to explore the ancient instruments in composing and performing on the innovation and breakthrough.As the widespread dissemination of western culture thought,therefore,the creation concept and playing techniques of zheng works tend to be more westernized,it gives the Guzheng art to a certain extent,enriched and innovation,but also some "and" excessive convergence phenomenon,the chase of western modern composing concept,causing some modern zheng pieces' Oriental color loss,it is hard to present the beauty of Guzheng to the audience.As a Guzheng student,after listening to and playing many contemporary creation zheng pieces,the author thinks that while we are pursuing technology of technique innovation and development,we more should adhere to the use of traditional Chinese music such as the use of folk songs,folk rap,and opera elements in zheng music creation,to better reflect the Guzheng as the aesthetic characteristics of Chinese musical instrument.The author's been studying in Beijing for more than ten years,and has deep feelings for Beijing,furthermore,the literature that comprehensively discusses the connection between the Beijing dialect and rhythm element and the contemporary creation zheng music is less,therefore,the author choose Beijing dialect and rhythym elements as the research object,the research perspectives focus on three Guzheng pieces called "Deep Night" "Plum Blossom Tone" "Morningside" which are in different Beijing dialect and rhythym style,through the analysis of music ontology and the actual play feelings,emphatically discuss the modern zheng music creation in the integration of Beijing dialect and rhythym elements.Full text is composed of introduction,body,conclusion and references four parts.The introduction part of this paper talks about selected topic basis and background,research purpose and meaning.The body of the first chapter is the description of the basic form of Beijing dialect and rhythm.The second chapter respectively according to three zheng pieces,make an analysis research from their creation background and containing of Beijing dialect and rhythym element.The third chapter discusses the Guzheng and Beijing dialect beauty music element fusion of artistic value.According to this content,the author will explore the important significance that the exploration and practice on combination of Beijing dialect and rhythym elements and contemporary zheng music has brought to Chinese traditional music and Guzheng art.