Theses On The Art Of Traditional Chinese Villages

There has been a strong connection between the advanced form and the elementary form appears in villages in the Chinese history and agricultural society.Royal art,literati art,religious art and etc.are different art forms classified according to social class and social functions.They all has a relation with the art of villages to different extents.The first three has a common character which is the textuality of text.However,the last one is different.It is an archetype with no text.To understand the characteristics of complex art form,it should start from the most original and fundamental art form.In terms of China,artistic activities originated from their social and cultural environments,and then is divided into art and nonart.Moreover,with the interaction and influence of small traditional society and metro traditional society,art is is divided into different art characteristics of diverse social communities.Through aesthetics,symbols,embodiments and other art languages,as well as the establishment of their paradigmatic and formulaic symbol systems,the community of perception and value in art is founded.The main purpose of this paper is to find out the prototype of art language,which is relatively stable,historical,and having great impact on Chinese artistic community,by using the relative methodologies of the social sciences and art theory.Then sort out the structure,relationship and process of the Art of traditional Chinese village in its own culture system,according to its types,systems,characteristics,values and other aspects.Furthermore,it will provide a reference for developing a frame of the study of Chinese traditional art,and a theoretical proof for today’s Village Protection and Construction.