A Study On The Creation Phenomenon Of Palace Fighting TV Plays

The creation of palace fighting is a phenomenon worth paying attention to in the past more than 10 years.Its life experience and value orientation had a great influence on people's thoughts and emotions,values and social ideology.Many scholars have different opinions on this.Some scholars believe that the refinement and dissemination strategy of Palace fighting is worth affirming.However,most scholars hold a critical negative attitude on it.In order to analyze the deficiency of Palace fighting itself and its social influence,this paper also stood at the critical position to explore mass culture attribute,type of narrative and creation view on issues of it.Both the aspects of its significance and its existing problems are also analyzed,to develop a more dialectical understanding.The main part of the thesis is divided into four chapters to investigate and discuss it.The first chapter mainly discusses the creation and dissemination of Palace fighting.Palace fighting takes the feudal dynasty as the background,takes the palace women as narrative subject,takes the ruthless struggle as narrative plots,take the evil for evil as narrative theme.It mainly displays the emotional entanglement of the characters or the contention of power.After a few years,Palace fighting from infancy to maturity,to the final decline,is a comprehensive result of many factors.A lot of factors greatly promoted the creation and dissemination of the "Palace fighting,such as the high heat of the network text,high degree of integration,excellent workmanship,strong lineup,the use of marketing strategy and the satisfaction of the audience's psychology.A large number of Palace fighting output,resulting in uneven quality,many problems have arisen.So this phenomenon is worth careful analysis.The second chapter mainly discusses the features of mass culture and the function of the Palace fighting.Whether from the point of the recipient or from the position of the Creator,Palace fighting as one of the forms of mass culture,We can see its own characteristics of mass culture,such as control and resistance,the highest entertainment,mechanical reproduction and the consumption pattern of fast food.The Palace fighting has become a tool to manipulate public consciousness and became a mirror fable of real life.To some extent,Palace fighting has become "safety valve" of the audience's emotional catharsis,but its characteristics and functions are mostly negative,and this paper has a critical attitude to it.The third chapter mainly discusses the typed narration of the Palace fighting.The mechanical reproduction of mass culture and the operation of mass production require a high degree of simplification of cultural products.In order to adapt to the requirements of the market,Palace fighting showing a certain tendency in the aspects of theme and narrative structure,thus restricting the development of itself.Forexample,the repeated writing of "Revenge" and "gratitude","two mother for a son","scapegoat" motif,"Cinderella growth" motif are the performance of thematic setting.In structure narration,Palace fighting is composed of the central narrative centered on power,the divergence narration with love as the radius and the round narrative composed of repeated escape and return,and all sorts of intricate relations of imperial harem was deduced.Because of the Palace fighting has distinct mass cultural characteristics,so certain types of fixed inevitable.Furthermore,these determinations are not entirely negative effects.Appropriately,these measures are conducive to the mass production and dissemination of Palace fighting and will help the audience better use the Palace fighting as a way of entertainment.However,when the trend is too obvious or the performance of the show is too strong,it will result in a drama-oriented creation.Therefore,breaking through and surmounting certain determinations in the palace fighting drama is a necessary requirement to promote the better development of the palace fighting drama.The fourth chapter mainly discusses the values of the palace drama.An excellent TV series is not only produced well,the content is surprising.The creation groups of Palace fighting differ in professionalism and creative conceptions,which leads to the cultural phenomenon that the Palace fighting shows complicated contradictions in the view of history,humanity and femininity.Historical consumerism flooded,the lack of historical rational spirit is the outstanding issue.Humanistic writing is an eternal topic in artistic creation.Palace fighting drama is the pursuit of the market sales and drama profits,and pays very little attention to human nature.Only a small part of the director or creator show their own judgments of good and evil human nature in the performance.Most of the Palace fighting drama is still showing the human nature of"evil for evil "and" only success or failure".It has a great negative impact on the audience.There are far fewer consciences that call for the goodness of humanity such as "Palace calculating" and "Concubine of Ming Dynasty."However,the "goodness and beauty" of human nature is not only necessary for drama but also needed by the times.Palace fighting after the palace drama as the main narrative place,and often show the audience "how the flowers are dying","there is no middle way for beautiful reign.Most dramatists portray the existence of harem women as a "presence absent."They are constantly being marginalized and objectified.Without their own words and thoughts,they have become "emptiness" and have been "aphasia" for a long period of time.Self-examination has been carried out with male aesthetics and values,and gradually men Internalization of right discourse into its own collective unconscious.It is clear that there are problems on the performance of women's concept of Palace fighting.These problems worthy of critical analysis.After several years,Palace fighting drama finally come to an end.On the one hand is the law of things led to the development,on the other hand is the result of the palace drama itself problems.As a kind of historical and cultural phenomenon,the creation and development of Palace fighting drama can undoubtedly provides a little reference to literary and artistic creation.