A Brief Analysis About "Nuevo Tango" Genre And The Violin’s Performance Pattern Of Piazzola’s "Invierno Porteno"

In 20 th century,Argentine composer and Bandoneon accordion player Astor Pantaleon Piazzolla was an important figure in " Tango Nuevo",His works are still adapted and performed many times in various stages of the world today.The charm of Tango continues to spread across time and place through Piazzolla’s reforms.The purpose of this paper is to explore the style of “Nuevo Tango” represented by Piazzolla to understand the composer and his music genre by the style deduction of violin played in his chamber music works.This paper is divided into three parts to discuss.Chapter 1 is a brief introduction of Piazzolla’s life and his general stage of creation through combing the different periods of his study and experience to understand the factors that affected Piazzolla’s creation changes.Chapter 2 takes “Invierno Porteno” as an example to analyze the unique elements and style characteristics of “Tango Nuevo” represented by Piazzolla.Chapter 3,according to the author’s own playing experience,analyze the techniques of right-hand bowing,left hand string kneading and replacement,rhyme articulation and body movements in order to grasp the different style in actual performance to achieve a reasonable and accurate interpretation of Piazzolla chamber music works.This essay investigates the biography of and his creative experience,and illustrates the bran-new style of the genre,which is defined as “Tango Nuevo”.As the student of the violin performance,I attempt to interpret the special scales and annotation the genre of Tango Nuevo,according to a case study of “Invierno Porteno”.