Multivariate Pictures

This paper mainly studies the pluralism of the German contemporary artist Daniel Richter’s paintings in the figurative period,and analyzes it from the perspective of a painting practitioner from Richter’s figurative language.The first part gives an overview of Richter and explains his attitude of changing from abstract to figurative in order to draw the theme of this article,that is,the language of painting in its concrete period.The second part analyzes and discusses in detail the diversified painting language in the concrete period from the mechanized lines in the picture,the fantastic characters and the emotion-dominated scene and the structural color of the picture.Daniel Richter’s painting language is closely related to his painting attitude.The third part expresses Daniel Richter’s painting attitude in order to understand the artist’s own painting more profoundly and discuss in this part Richter’s influence on his own drawing in other fields,such as stage design and music,reinforces Richter’s "pluralism" features as illustrated in the theme.