Study On Fan Cuiting's Drama Of Lyrics And Spoken Parts

The beauty of a dramatic language is that it shows both the outward appearance of the content and the implied meaning of the author's reluctance.Therefore,one word becomes the source of the exploration of "ineffable".?A Study of Fan Cuiting's Drama of lyrics and spoken parts? is based on the historical height of the Henan opera into the modernization process.The comprehensive investigation and systematic analysis of the three chapters from the relationship between lyrics and spoken parts.Hence,it providing the beneficial reference for the reform and innovation of the present drama.The first chapter is to review the two types of language relations in the Chinese drama,and use the objective and direct data graph to illustrate the transformation of the relationship between the host and guest and equivalence relations.The transformation of the "fan opera" language domain reveals that the relationship of lyrics and spoken parts is based on the reciprocity of the two sides.The second chapter is standing in the big data height of "fan opera" script and summarizes the five characteristics of the "fan opera" language from different perspectives.The third chapter is to dig into the depths of the first two chapters.First of all,it summarizes the basic situation of the four versions of the “Xi Xiang” in Henan opera and analyzes the issues of the drama language disputes between the ?Seven Western Chambers? and the ?Six Western Chambers?.Based on this,the analysis of the similarities and differences of lyrics and spoken parts in the four versions of the "Interrogating Hong Niang" plots was carried out.