| After the first decade of the new century that was dominated by commercial blockbusters,Chinese films entered the second decade of the new century,namely “the new decade”,and they displayed a brand-new industrial outlook and creative posture.At the beginning of “the new decade”,Love is Not Blind,A Simple Live,Finding Mr.Right,American Dreams in China and Dearest and so on,are small and medium-cost investments,art orientations,relatively vague feature types,and strong topical melodrama.One after another boarded the screen While creating a miracle at the box office,it has also become a new phenomenon in the production and production of Chinese movies.It has been summarized and named as a "phenomena movie." In recent years,a group of artists with serious attitude towards the production of Black Coal,Thin Ice,Fading Wave,Paths of the Soul and Youth,and who have deep concern for the human nature of social history and have a clear market orientation are gaining.Not only did the box office and good word-of-mouth communicate,it also triggered widespread public attention and became a hot topic in society.Through these phenomena,we can see already showing art films hit theaters alternative situation beyond the absolutely dominant commercial type of film,we defined these melodrama as "Serious Art Film." The phenomenon of "Serious Art Films" produced during the new decade is not only influenced by the historical driving force from the history of a hundred-year history,but also shows a special representation in the context of a new era.Serious art films are highly inclusive and expandable.The categories include the "Phenomenon Movies" with strong commercial attributes,and the "6th generation" and "new generation" author movie.There are also art films created by famous movie artists that achieve a good balance between art and business.This article is divided into three parts: introduction,subject,and conclusion.The introduction part collects domestic and foreign literature data to sort out the concept definition,development history and present situation of the art film;the topic part consists of three chapters.The first chapter is about the phenomenon representation and the concept analysis of the serious and creative films in the new century and the new decade.First of all,it summarizes the market,public praise and social effects shown by the serious literary films in the new decade period,thus pointing out the special representation of the serious literary films in the context of the new period.Through analyzing the historical context of the art films,the author analyzes the historical arguments for the creation of the current literary film and analyzes the phenomenon of the common use of the contemporary art films,from art films,melodramas,emotions,and interrelated forms.On the other hand,we discuss the context of the creation of "Serious Art Films" and the definition of specific concepts.The second chapter is about the composition of serious art films,which is mainly based on the film forms and creative groups presented in the film texts.It classifies the serious and numerous art films in the new decade as youth romance films and social hot events.Films,author films of the "Sixth Generation",author films of the "New Generation",and art films of famous big names.The third chapter focuses on the strategic significance and cultural value of serious art films.Mainly combing the era context and industrial structure of the Chinese film industry in the new decade of the serious literary film production,and analyzing the Chinese film itself from the aspects of the cost advantage,focus market,feedback effect,and overseas flow of serious art films.The significance and value of building and competing with Hollywood.The epilogue attempts to summarize the research and development of the serious art films phenomenon in the new decade,clarifying the deep dynamics,development context,and broader implications of the phenomenon.“Serious Art Films”,as one of the most significant phenomena in Chinese movies in the new decade,deserve our attention and attention.This article examines the serious cultural films in the current social context of Chinese films and the mainstream of historical development,and implements effective morphological positioning and relevant aesthetic interpretations in order to achieve a clearer understanding of the serious art film phenomenon. |