A Study Of The Cultural Images Of The Seven Sages In The Bamboo Grove During The Wei,Jin,Southern And Northern Dynasties

"The Seven Sages of the Bamboo Grove" is a pivotal figure in the history of medieval culture.This article focuses on the issues of "The Seven Worthies of the Bamboo Grove" and the cultural images of the famous scholar group leaders Ji Kang and Ruan Ji during this period.The legend of "The Seven Legends of Bamboo Groves" came about on the occasion of the Two Jin Dynasty.The evolution of the seven Qixian titles from the "seven Sages" to the "Seven Sages of the Bamboo Grove" was noteworthy.This was the creation of the aesthetic landscape consciousness of scholars in the middle and late period of the Eastern Jin Dynasty.The poetic nature of language itself has increased its influence.In the Wei and Jin Dynasties and Northern and Southern Dynasties,the first of the seven bamboo sages was the celebrity group.However,along with the changes in the social environment,the image of the “Seven Sages of the Bamboo Grove” has also changed.The concrete manifestations are the changes in the internal status of the celebrities and their status as a breakthrough celebrity.This was accomplished in different times and different reception groups.Qin and Ji Kang’s life is closely related,creating his artistic life.Taking the death of Ji Kang as the demarcation point,his “playing poems and poems” before his death is a symbol of elegance in the eyes of future generations;and before he was sentenced,“playing the harp and playing” also meant the disillusionment of the beauty,which caused later generations to feel infinite regret.Ruan Ji’s image is multi-faceted,which is determined by the extreme nature of his actions and the alienation from his thinking.His style of sentiment has become the focus of controversy among the Confucianists and metaphysics.Another part of the scholars are still able to snoop on his bitterness in accepting Poems.