Shen Zengzhi’s Research On The Phenomenon Of "Combination Of Gravestone And Traditional Calligraphy"

The subject tried to return Shen Zengzhi to the development background of the stele and post in the Qing Dynasty.and Summarize and analyze the status quo of development of tablet studies and posts in the Qing Dynasty,together with the “compounding of the monument” and the “posture of the monument”.Such ideological and theoretical theories have been put forward.The call for emphasizing on monuments and advocating the study of tablets has reached an unprecedented height,and the status of tabletology has been greatly enhanced.Shen Zengzhi was in this context.With his profound knowledge,he did not go with the flow of people.He used the ancient idea as a teacher to gain the strengths of his audience and proposed the book-study viewpoint of “Combination of Gravestone and Traditional Calligraphy”.Since Shen Zengzhi’s research can be used as a reference for a wealth of literature,this article mainly uses literature analysis methods,case study methods,comparative analysis methods,induction methods,and mutual evidence methods to deeply discuss Shen Zengzhi’s book theory.Discover and use historical materials.This project mainly elaborates Shen Zengzhi’s artistic life and the process of formation and research methods of the “Combination of Gravestone and Traditional Calligraphy”calligraphy,as well as his detailed descriptions of pens,knots,methods,and inks.His scholarly methods and attitudes are relevant to current scholars.It has very far-reaching implications and implications.This topic is divided into five chapters,and it systematically explores and summarizes Shen Zengzhi’s calligraphic inscription fusion.The first chapter begins with the analysis of Shen Zengzhi’s time background,and explores the reasons why Shen Zengzhi proposed“Combination of Gravestone and Traditional Calligraphy”.The second chapter mainly talks about the three periods of Shen Zengzhi,introduces his artistic life,deeply explores the formation process of his “Combination of Gravestone and Traditional Calligraphy”calligraphy art,and the third chapter explains Specific point of view used by Shen Zengzhi to study“Combination of Gravestone and Traditional Calligraphy”.The fourth chapter is to implement the specific practice,and to interpret Shen Zengzhi’s “Combination of Gravestone and Traditional Calligraphy” calligraphy art from four aspects of brushwork,bodywork,composition,and ink use;the fifth chapter is the creation of Shen Zengzhi’s “Combination of Gravestone and Traditional Calligraphy” art theory.The new era provides new methods and ideas for future generations.Through a series of scientific and strong argumentation,Shen Zengzhi’s “Combination of Gravestone and Traditional Calligraphy” is in line with the historical development process and is of great value for the study of contemporary calligraphy.